<
 
 
 
 
×
>
You are viewing an archived web page, collected at the request of United Nations Educational, Scientific and Cultural Organization (UNESCO) using Archive-It. This page was captured on 17:41:15 Nov 05, 2015, and is part of the UNESCO collection. The information on this web page may be out of date. See All versions of this archived page.
Loading media information hide
http://www.unesco.org/culture/ich/en/RL/00002

Oral heritage of Gelede

Inscribed in 2008 (3.COM) on the Representative List of the Intangible Cultural Heritage of Humanity (originally proclaimed in 2001)

Country(ies): Benin, Nigeria, Togo

Identification

Description

Oral heritage of Gelede

The Gelede is performed by the Yoruba-Nago community that is spread over Benin, Nigeria and Togo. For more than a century, this ceremony has been performed to pay tribute to the primordial mother Iyà Nlà and to the role women play in the process of social organization and development of Yoruba society.

The Gelede takes place every year after the harvests, at important events and during drought or epidemics and is characterized by carved masks, dances and chants, sung in the Yoruba language and retracing the history and myths of the Yoruba-Nago people. The ceremony usually takes place at night on a public square and the dancers prepare in a nearby house. The singers and the drummers are the first to appear. They are accompanied by an orchestra and followed by the masked dancers wearing splendid costumes. There is a great deal of preparatory craftwork involved, especially mask carving and costume making. The performances convey an oral heritage that blends epic and lyric verses, which employ a good deal of irony and mockery, supported by satirical masks. Figures of animals are often used, such as the serpent, a symbol of power, or the bird, the messenger of the “mothers”. The community is divided into groups of men and women led by a male and a female head. It is the only known masked society, which is also governed by women. Although the Gelede has nowadays adapted to a more patriarchal society, the oral heritage and dances can be considered as a testimony of the former matriarchal order.

Technical development is resulting in a gradual loss of traditional know-how, and tourism is jeopardizing the Gelede by turning it into a folklore product. Nevertheless, the Gelede community shows great awareness of the value of their intangible heritage, which is reflected in the efforts put into the preparation work and in the growing number of participants.

Slideshow

Video



These videos (and many more) can also be consulted through the UNESCO Archives Multimedia website

Safeguarding project (10-2003/11-2008)

The Gelede ceremony, held in honour of the primordial mother Iyà Nlà, is directed by women, reflecting their important role in Yoruba life. After weeks of preparations, singers and drummers open the night-time ceremony, followed by an orchestra and masked dancers wearing splendid costumes.

The project aims at safeguarding the Gelede tradition in communities across Benin, Nigeria and Togo. Following the initiatives of the government of Benin, which has constructed the International House of Gelede, the project encompasses: awareness-raising campaigns; training workshops for young people and seminars for master practitioners devoted to dance, choreography, sculptural techniques and costume making; publications on the Gelede cultural tradition and an international symposium.
To date, awareness-raising and information campaigns have been carried out in various communities in Benin, Nigeria and Togo, supported by promotional radio programmes. A partnership between the Association Groupe Gèlèdè de Savè and the University of Ifè in Nigeria has been established, and the first training workshops for masters and apprentices have been carried out in Kétou and Kilibo (Benin), generating an increased community interest for further training programmes.