Description

Huaconada, ritual dance of Mito

© 2001 by S. Mujica

Huaconada is a ritual dance performed in the village of Mito in the province of Concepción in the central Peruvian Andes. Every year, on the first three days of January, masked men known as huacones perform a choreographed series of dances in the centre of the town. The huacones represent the former council of elders, and for the duration of Huaconada they become the town’s highest authority. The tronador (whip) they carry and their masks emphasize this role, the latter characterized by accentuated noses that evoke the beak of the condor, creature that represents the spirit of the sacred mountains. The dance involves two types of huacones: elders who wear traditional costumes and finely-carved masks inspiring respect and fear; and modern huacones who wear colourful dress, their masks embodying terror, sadness or mockery. During Huaconada, the modern huacones dance circumscribed steps around the elders, who have greater freedom to dance improvised movements because of their seniority. An orchestra plays different rhythms, beating out time on a small indigenous drum called a tinya. Huaconada synthesizes distinctive elements from the Andes and Spain while incorporating new, modern elements. Only those of good conduct and moral integrity may become huacones. The dance is traditionally passed on from father to son, while clothing and masks are also inherited.

Documents

• Nomination form: English|French
• Consent of communities: Spanish/English
• ICH inventory - National inventory: Spanish

Decision 5.COM 6.34

The Committee (…) decides that [this element] satisfies the criteria for inscription on the Representative List of the Intangible Cultural Heritage of Humanity, as follows:

• R.1: Huaconada ritual dance, continually adapting and transmitted from generation to generation by the inhabitants of Mito, regulates their communal life and reflects their local cultural identity;
• R.2: Inscription of Huaconada of Mito on the Representative List could contribute to greater visibility of intangible cultural heritage while reflecting its ability to synthesize influences with diverse roots;
• R.3: Safeguarding measures elaborated by the communities and the State aim at research, at recognizing tradition bearers, and promoting the manufacture of traditional instruments, outfits, masks and other objects used in the dance;
• R.4: The communities, through the Sociedad de Huacones de Mito, initiated the nomination and participated actively in its preparation, providing their free, prior and informed consent;
• R.5: Huaconada was declared National Cultural Heritage by the Instituto Nacional de Cultura in 2003, upon the proposal of the communities concerned.

© 2004 by S. Mujica

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