Nominating state(s)
and contacts | Element | Description |
|---|
Saudi Arabia
General Cultural Authority of Saudi Arabia in collaboration with the Saudi Heritage Preservation Society
Rehaf Gassas
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Date of submission: 04-06-2018 | Title: AlSadu: The craftsmanship of weaving traditional fabrics
Intended for: Representative List
Communities concerned: The Bedouin community is the main community concerned, as the craft of AlSadu started at from there from the availability of camel’s wool in the desert regions. Nowadays the craft has become common among the community of craftsmen in different regions of Saudi Arabia. | The craft of AlSadu has been developed by the Bedouins using the fluff of camels, Goat hair and the wool of the sheep in order to crate tents, carpets, covers and traditional furniture. To create AlSadu fabrics, the wool is spun into threads on the spinning wheel and dyed using natural pigments from nature, and now a days synthetic ones to create different shades and colors, black, red and yellow are the most common colors used to create AlSadu patterns these patterns are developed by switching the colors of the threads throughout the weaving process, then the colored threads are weaved into fabrics on a wooden loom which are used as carpets, for tents, for decorations and much more. The knowledge and skill of crafting the fabric of AlSadu has been passed on from generation to another and developed through time from being a basic factor for their livelihood to become a traditional decoration using in many households in Saudi Arabia. |
Iran (Islamic Republic of)
Office for Inscription, Preservation and Revitalization of Intangible and Natural Heritage
Farhad Nazari
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Date of submission: 28-07-2015 | Title: Traditional knowledge and skills of making faceless dolls
Intended for: Representative List
Communities concerned: - | Traditional knowledge and skill of making faceless dolls are transmitted from generation to generation for a thousand years in various parts of Iran. Although these dolls consist of an entire body, they have no facial features and this kind of doll-making craft reflects rituals beliefs. If a doll has no face, it is free of identity and boosts the creativity and imagination of people and they can fantasize their own depiction of faces. The method of making these local dolls such as “Dohtolok”, “Dotook”, “Dokhtolook” and “Gorjoogh” is common between different ethnic groups in Iran and the similar models are seen in Tajikistan, Russia, Turkmenistan, Georgia, and Native Latin America. These dolls which tell the stories of the joyful and sorrowful experience of women in rural areas put on display the forgotten local traditions and culture of rural communities. Making these puppets not only promotes solidarity between generations, but also revives parenting skills, clothes, lullabies, poems, signs, stories and other rituals. Moreover, improving creativity and self-confidence of local women are some of the advantages of producing these products other than creating job and direct participation of them in society. The dolls and their cultural expression may contribute to reconciliation and convergence between the countries of Asia and various communities. |
Iran (Islamic Republic of)
Office for Inscription, Preservation and Revitilization of Intangible and Natural Heritage
Farhad Nazari
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Date of submission: 19-03-2015 | Title: Celebration of Yaldā , Shab-e Chelle (Persian)Shab-e Yalda (Persian)Chilla Gajasi (Turkish)Chilla Gejasi (Turkish)Chille Gijasi (Turkish)Shew vi yelda (Kurdish)Chelle (South West of Iran
Intended for: Representative List
Communities concerned: All people of Iran | By the dawn of the first day of winter (21th December, solstice winter) the longest night of the year, called Shab-e Chelle (“Chelle night”) or Shab-e Yaldã(“Yaldã night”) comes to an end. Following this event, the length of the days increases gradually. It is for this fact that Shab-e Chelle is described as the “night of the birth of the sun”. Yaldā constitutes one of the four major seasonal feasts of Iran and is known as one of the most ancient national festivals of the country. Public sympathy and love provide this ritualistic festival with one of its defining features. This ICH element is transmitted to younger generations mainly through oral and informal means. There are a number of beliefs and traditions prevailing among people about Shab-e Chelle ceremonies. Among the features associated with this element, the outstanding presence of the color “red” is significant; red pomegranates, red water-melons, red grape products, and the like, which constitute inseparable parts of the ceremonies are only some examples. Gathering in the elders’ houses, round a special Sofre (“table cloth spread on the ground”), on which various ritualistically regarded elements are set for consumption (including the abovementioned red elements, as well as Shab-e Chelle nuts, Shab-e Chelle traditional Iranian Soup, and various other food stuff. - Recitations from Divan-e Hafez, Shahname of Ferdowsi. - Story-telling , especially by elders of the family - Singing songs, and playing musical instruments. |