<
 
 
 
 
×
>
You are viewing an archived web page, collected at the request of United Nations Educational, Scientific and Cultural Organization (UNESCO) using Archive-It. This page was captured on 18:31:03 Jun 12, 2019, and is part of the UNESCO collection. The information on this web page may be out of date. See All versions of this archived page.
Loading media information hide

Ritual and ceremonies of Sebeïba in the oasis of Djanet, Algeria

Your browser is not supported by this application. Please use recent versions of browsers such as Google Chrome, Firefox, Edge or Safari to access 'Dive' interfaces.

Inscribed in 2014 (9.COM) on the Representative List of the Intangible Cultural Heritage of Humanity

© CNRPAH, 2014

The ritual and ceremonies of Sebeïba are practised by two communities living in Djanet during ten days in the first month of the Islamic lunar calendar. Male dancers and female singers compete for the right to represent their communities during a nine-day contest called Timoulawine. The chosen winners take part in the Sebeïba ritual and ceremonies the next day. The male dancers, dressed as warriors, and female singers walk to a place called Loghya for the performance of the ritual. Once there, the male dancers parade and present their weapons, then stand in a ritual circle rattling their swords continuously as the women sing traditional songs to the rhythm of the tambourine. At the end of the day, the participants disperse. Knowledge related to the ritual and ceremonies is transmitted directly from older to younger members. Local craftspeople produce and repair the uniforms, weapons, jewellery and musical instruments required for the ritual and ceremonies. The Sebeïba ritual and ceremonies are an important marker of cultural identity for Tuareg people living in the Algerian Sahara. They reinforce social cohesion, symbolically warding off potential violence between rival communities by simulating and transposing it to the realm of artistic competition.

Top