Portugal 2016 report

Informations Générales

Résumé

Veuillez résumer en maximum 3500 caractères les principaux résultats et défis de la mise en oeuvre de la Convention, ainsi que les perspectives d’avenir. Veuillez noter qu’il ne s’agit pas d’une introduction au rapport ni d’un sommaire commenté.

The spirit, values and principles of the 2005 Convention - even if not stated explicitly - are present and shape different political documents concerning present and future cultural policies, namely the program of the current government and the Major Planning Options for the next few years. We only have to see the importance conferred to cultural heritage preservation and restoration (tangible and intangible heritage), cinema, visual and performing arts, design, etc. and there will be no doubt about the commitment of national authorities regarding this subject.

A central position is also granted to cultural and creative industries, its development, promotion and financing. Cultural expressions come essentially from CCIs, developed and promoted by SMEs (mainly small and very small enterprises), in different areas of the CC sector, struggling against majors, against crises, lack of funding, international competition, lack of training,… This is why CCIs and its funding are so important to protect and promote the diversity of cultural expressions in general, particularly in small countries like Portugal.

If protection and promotion of cultural diversity expressions is the core “business” of CCIs, it is also one of the main guidelines for many official institutions, many NGOs, giving substance to a significant number of state and civil society initiatives, measures, programs and projects.

Dialogue and close work with civil society is crucial, as well as cooperation and cross cutting work between central, local and regional administrations.

But there’s still a lot to be done concerning civil society since this is a double face relationship and sometimes it seems that only one of its sides reveals openness and readiness for this real peer-to-peer cooperation. ICTs facilitates the job, the digital environment is a favorable one, social media fosters contacts and interaction among partners.

A particular word must be granted to cooperation with the Portuguese speaking countries; more than international cultural cooperation or preferential treatment, relationship within CPLP, the community of Portuguese speaking countries, is a national goal, to the achievement of which common history and cultural heritage, as well as interest on protecting and promoting the diversity of their common and different cultural expressions, are crucial.

The above said (and detailed in the Report) does not exhaust national cultural policies, but gives an idea of orientations and priorities of Portuguese government for the cultural sector, where the diversity of cultural expressions is crucial, being its protection and promotion a common goal of Portuguese official authorities and civil society.

Informations Techniques

Nom de la Partie:

Portugal

Date de la ratification:

16/3/2007

Organisation(s) ou organisme(s) responsable(s) de la préparation du rapport:

Cultural Strategy, Planning and Assesment Bureau

Point de contact désigné officiellement

Titre:

Mme

Prénom:

Lurdes

Nom de famille:

Camacho

Organisation:

Ministry of Culture - Cultural Strategy, Planning and Assessment Bureau, International Affairs Department

Adresse postale:

Rua D. Francisco Manuel de Melo, Nº 15, 1070-085 Lisboa

Téléphone:

+351 213 84 84 40

Fax:

+351 213 84 84 39

Email:

lurdes.camacho@gepac.gov.pt

Nom des parties prenantes, y compris organisations de la société civile, contribuant à la préparation du rapport:

Name	Organization	Position
Ana Paula Laborinho	Camões Intitute of Cooperation and Language-M.F.Affairs	President
Pedro Calado	High Commission for Migration	High Commissioner for Migration
Sérgio Gomes da Silva	Presidency of the Council of Ministers	Head of the Department for Media Legislative Policy
Silvia Belona	Directorate General for Economic Activities – Ministry	Senior Officer
Cristina Farinha	ADDICT	Culture & Creative Economy Expert
Helena Vasques de Carvalho	Portuguese Cultural Diversity Coalition	Vice-President
Clara Cabral	National Commission for UNESCO	Responsible for the Culture Sector

Décrire le processus de consultation établi avec l’ensemble des parties prenantes pour la préparation de ce rapport

Taking into consideration the specific characteristics of the information needed, different entities and organisations were contacted in order to obtain the necessary information, public entities as well as civil society.

The main source of information were the organisms of the Ministry of Culture: Cultural Strategy, Planning and Assessment Bureau, Institute of Cinema and Audiovisual, Directorate-General for the Arts, Portuguese Cinematheque, Directorate-General for Cultural Heritage, Directorate-General for Books, Archives and Libraries. Also very important was the contribution from the Regional Directorates for Cultural Affairs, as well as the Secretaries of State for Culture of the governments of the Autonomous Regions of Madeira and Azores.

Other Ministries, Secretaries of State and official entities were involved: Ministry of Economy, Ministry of Foreign Affairs (comprising Camões, Institute for Culture and Development, important partner of the EUNIC network), Presidency of the Council of Ministers, Ministry of Social Security and Employment, Ministry of Education, Ministry of Science and Technology, Secretary of State for Citizenship and Equality, Commission for Citizenship and Gender Equality, High Commission for Migration, Portuguese Coalition for Cultural Diversity, National Institute for Statistics (particularly the Culture Satellite Account).

Different information was obtained online, at reliable websites as, for instance, PORDATA, Database of Contemporay Portugal, that collects, compiles, systematizes and dissemines data on multiple areas of society, for Portugal and its municipalities. Different data was asked to the different stakeholders according to the structure of the Report and the final analysis, organisation, preparation and production of the Report was made by GEPAC, Cultural Strategy, Planning and Assessment Bureau.

Aperçu du contexte de la politique culturelle

Les Parties décrivent les principaux objectifs et priorités de leur politique culturelle en vigueur et l’impact de la Convention sur leur formulation ou reformulation. Elles rendent également compte des opportunités et défis rencontrés dans la promotion de la diversité des expressions culturelles dans l’environnement numérique.:

Culture is considered by the current government as an essential pillar of democracy, national identity, innovation and sustainable development. Fundamental aspects of the government action are the constitutional guarantee of democratic access to cultural creation and fruition, preservation, expansion and promotion of our tangible and intangible heritage, as well as assumption of Culture as an essential factor of innovation, qualification and competiveness of our economy.

A cross-cut cultural policy is in progress, identifying, stimulating and assembling cultural elements in all governance sectors, particularly those of education, training, employment, regional development, tourism and external trade. In the Cultural public sector, priorities are the reform of the sector, endowing it with flexible and effective models suitable to the specificity of its mission, stimulate network between central and local administrations and between public agents and civil society, redefine rules and procedures for financial support schemes.

At the same time, the reinforcement of arts and humanities as central elements of the educational system, the intensification of the public media service as a privileged instrument of cultural policies and the use of ICT to guarantee a large scale access to heritage and creation are needed. Still, measures in the areas of taxation, labor legislation and Social Security, to dignify culture professionals, to support and make more dynamic entrepreneurship and creative industries and stimulate production and consumption of cultural goods will proceed.

Concerning the cross-cut character of cultural policies, priorities are the reestablishment of the Ministry of Culture (accomplished in 2015) as the first promoter of a coherent and sustainable cultural policy and a privileged partner to other Ministries, at the same time that promotes network with the local and regional decision centers, reinforcing its initiative and capacities.

More participated and accessible culture to everyone will demand an integrated approach that mobilizes traditional channels for communication and knowledge and content transfer, and new digital platforms, reducing costs and facilitating access by means of incentives to cultural products consumption.

Tangible and intangible heritage is a major element to cultural and social identity of the country, a factor of enrichment of relations between Portugal and the countries where that heritage can be found, a rich and differentiating element for the attractiveness of regions and the development of tourism. Therefore there’s a shared responsibility to preserve and promote this heritage, guaranteeing a large scale access to its fruition and assuring its transmission to future generations.

Cultural and creative industries are crucial to the promotion of economic activities and jobs creation, promoting cross-cut policies that foster synergies between relevant sectors as tourism and construction (heritage rehabilitation and restoration). Policies that enriches and dignifies authors and artists and improves the conditions for the development of their professional activity through a better protection of their rights, better access to financial support and less labor instability are essential.

Even if the 2005 Convention and its principles are not expressly referred to, they underlie cultural policies defined, namely in the promotion of the diversity of cultural expressions in a digital environment.

a) Elle sert (ou a servi) de base pour modifier une ou plusieurs politiques?:

Yes

Comment?

The political program of the current government as well as the Major Planning Options for the next four years were designed taking into consideration, among other elements and concerns, the major challenges Portugal will face in the next few years. And one of this challenges will be, precisely, the protection and promotion of the diversity of cultural expressions, namely in the growing and increasingly important and compelling digital environment. This explains the references in the texts, but mainly the initiatives and measures that have been undertaken, the ongoing policies regarding cultural heritage, cinema, arts, artists protection, CCIs funding among many others.

Bilateral agreements include growing references to the 2005 Convention, multilateral policies (for instance in the EU framework) are based in its principles.

In the Culture ministerial meeting of the Portuguese speaking countries already in 2012, a Resolution concerning the 2005 Convention was approved, urging the Community members to sign and ratify the Convention and, even more important, to implement its principles and orientations in each country. Portugal was a subscriber and a strong supporter of the proposal and at national and international levels the basic principles of the Convention act as important guidelines for cultural policies.

b) Elle sert (ou a servi) d’outil pour promouvoir le débat politique?

Yes

Comment?

The 2005 Convention has been a tool to promote policy discussion, namely and mainly in the dialogue with civil society. In the public sector and within the Ministry of culture, in areas such as cinema or the performing arts, cultural diversity is crucial, meaning this that the basic principles of the Convention are present in all policy discussions, even if an explicit reference to it is not made. Discussions concerning financial support to individual artists, to Festivals, to film, among others, are enriched with the need to respect cultural diversity, to promote the diversity of cultural expressions, trying to find a balance among the different cultural expressions.

c) Elle sert (ou a servi) de référence pour le développement de politiques?

Yes

Comment?

The 2005 Convention has been a reference for ongoing policy development. For instance, bilateral cooperation agreements and programs include more and more references to the Convention as a tool for cooperation and a landmark to be considered and respected. Being a Party to the Convention may not be a sinequanon condition for the signature of an instrument of cooperation but is undoubtedly a benchmark in the development of such cooperation and is therefore increasingly included in the texts of the Cooperation Agreements and Programs.

Politiques et mesures

POLITIQUES CULTURELLES ET MESURES
Nom de la mesure	Périmètre de la mesure	Nature
National Strategy for Education and Culture	National	institutional
DGARTES-Public support programmes to the arts	National, International	legislative, financial, institutional
National Film Plan	National	institutional
ADDICT / Creative Industries Agency Portugal	National	institutional
Aesthetic and Artistic Education in Schools	National	institutional
Platform of Arts and Creativity in Guimarães	Regional	institutional
StartUP Portugal - Portuguese Strategy for Entrepreneurship	Regional, National	financial, institutional
National Reading Plan	National	legislative, institutional

COOPÉRATION CULTURELLE INTERNATIONALE
Nom de la mesure	Périmètre de la mesure	Nature
Strategic Plan for Multilateral Cultural Cooperation in Portuguese Speaking Countries	International	institutional
Program CPLP Audiovisual	International	financial, institutional
Cooperation with Macau in the area of Archives-International Memory of the World Register	International	institutional
Project NÓS - A Galician-Portuguese Project for Theatre	International	institutional

TRAITEMENT PRÉFÉRENTIEL
Nom de la mesure	Périmètre de la mesure	Nature
Support to Democratic Governance Process in East Timor: EU Media Program in East Timor	International	legislative, regulatory, institutional
Development of Mechanisms for Collective Management of copyright in Cape Verde	International	institutional
Cooperation Strategic Program Portugal - S. Tomé and Príncipe – a new generation of programs	International	financial, institutional

INTÉGRATION DE LA CULTURE DANS LES POLITIQUES DE DÉVELOPPEMENT DURABLE
Nom de la mesure	Périmètre de la mesure	Nature
Annual Program to Support Immigrant Associations.	National	institutional
Choices Programme	National	institutional
Media and Disability Reflection Group	National	institutional
PARTIS-Artistic Practices for Social Inclusion	National	institutional

QUESTIONS TRANSVERSALES ÉMERGENTES: Résolution 5.CP 9b
Nom de la mesure	Périmètre de la mesure	Nature
Book Fair in East Timor – Reading exchange (2014)	International	institutional
Programming of the Cultural Centre in Luanda - 2012-2015	International	institutional
Sphera Cástris - Southwest Park for Heritage and Arts	Regional, National, International	institutional
Portuguese-Brazilian Digital Library	International	institutional

PRIORITÉ GLOBALE ACTUELLE DE L’UNESCO: EGALITE DES GENRES
Nom de la mesure	Périmètre de la mesure	Nature
VIDArte Prize – Art against domestic violence	National	institutional
Award: Women creators of Culture	National	institutional
National Plan for Gender Equality, Citizenship and non-discrimination (2014-2017)	National	legislative, institutional

JEUNESSE
Nom de la mesure	Périmètre de la mesure	Nature
More Leaders	National	institutional
10x10	National	institutional

❭ POLITIQUES CULTURELLES ET MESURES

National Strategy for Education and Culture

a. 2 Contexte de la mesure:

POLITIQUES CULTURELLES ET MESURES

b. Objectifs clefs de la mesure:

National Strategy for Education and Culture (ENEC) is a program of the Portuguese Government, designed and developed in a close cooperation by the Ministries responsible for Education, Science and Culture. It intends t implement a long term action plan, in the areas of education, arts and culture.

It aims at getting a greater presence of artistic and cultural activities across all levels of study, from preschool education to the end of secondary school.

c. Quel(le) est:

c.1. le périmètre de la mesure:

National

c.2. la nature de la mesure:

institutional

c.3. La principale caractéristique de la mesure:

It contributes to generalise the presence of culture and artistic activities in the framework of the educational and training system, from preschool education to secondary and profissional schools, promoting the concept of "cultural experience" and "cultural literacy" among all educational communnity.

Promote the diversity of cultural expressions all over the country, enhancing the emergence of elements of analysis that will allow public policies decison-making favouring a higher access to cultural activities from citizens in general and students in particular.

Integrate culture in the daily educational routines, through medium and long term learning pathes, to the development of skills, knowledge and attitudes, in order to contribute to a more open, demanding and plural society.

Reaffirm a broad concept of culture, understood as a social and human phenomenon, which englobes multiple dimensions: antropological, social, symbolic, aesthetic and economic.

Broaden communication and enable cultural interactions, creating envionments, devices and conditions for shared initiatives, through the use of technological means, namely electronic platforms.

Value the country cultural diversity, as a way of recognising the richness of cultural goods, encouraging its preservation and contemporary cultural creation.

Expand training programs for education and culture professionals in the areas of Artistic Education.

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

This Strategy intends to achieve, consolidate and foster aplication, within cultural and educative contexts, of training models and plans for education and educative services of cultural entities professionals, as well as the assessment and evaluation of the implemented practises.

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

Directorate General for Education, Directorate General for Education Statistics

Cultural Strategy, Planing and Assessment Bureau, Directorate General for Cultural Heritage, Directorate General for the Arts, Portugueses Film Institute

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

Theres was no information available.

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Oui

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Non

❭ POLITIQUES CULTURELLES ET MESURES

DGARTES-Public support programmes to the arts

a. 2 Contexte de la mesure:

POLITIQUES CULTURELLES ET MESURES

b. Objectifs clefs de la mesure:

The General Directorate for the Arts is a central department of the Ministry of Culture. It's mission is to coordinate and carry out arts support policies, foster institutional partnerships and conduct the necessary course of action to ensure the universal character of its undertaking, as well as the freedom and qualification of artistic creation.

The core objectives of DGARTES include: to support independent cultural agents, to actively promote the internationalisation of Portuguese arts and artists, to divulge the works of artists and interpreters through publications in various types of media and to encourage innovation and experimenting in the field of the arts. This is part of a comprehensive strategy that aims to support artistic creation and dissemination, the development of new audiences and increased international cooperation and exchange.

The competences of DGARTES comprise the implementation of the new arts support policy whose core objectives include the consolidation and sustainability of a network of technically and vocationally oriented independent cultural agents spread out evenly throughout the various regions of the country. This network is responsible for the introduction of new intervention models in articulation with other sectorial policies, for encouraging partnerships with local authorities, and also for supporting production and programming, particularly with the purpose of giving renewed visibility and reviving the network of municipal theatre-movie houses.

The new arts promotion policy also aims to encourage increased sharing of responsibilities between the State, cultural agents, local authorities and other public and private bodies, with a view to promoting the creation and dissemination of the arts. By making full use of available tools for the virtual management of information, it is equally responsible for ensuring the recording, organisation and dissemination of contemporary production, either by generating or integrating national and international information networks that are accessible to both professionals and public.

c. Quel(le) est:

c.1. le périmètre de la mesure:

National

International

c.2. la nature de la mesure:

legislative

financial

institutional

c.3. La principale caractéristique de la mesure:

The programmes support the creation, production and dissemination of the arts, as well as the consolidation, qualification and stimulation of cultural equipment networks. The public financing of activities and projects that contribute towards the promotion of the artistic creativity and capacity for innovation at national and international level is one of the core instruments used to carry out these two correlated sides of cultural policy, which also aims to raise the awareness and critical stance of the population, thus supporting their qualification and social cohesion in the process.

Taking into account the role of culture, particularly that of the arts, in the social and economic development of the country, as well as the need for convergence of sectorial policies by bringing together synergies and their replicating effects, the Government has set up a normative framework, via the Directorate-General for the Arts, that regulates support activities, in response to the need to consolidate and foster the sustained development of artistic activities.

Types and Categories of support:

Direct Support / Four year

Direct Support / Biennial

Direct Support / Annual

Direct Support / Specific

Indirect Support / Tripartite Agreements

Support to Internationalization

Support to Cultural associativism

Support to regional orchestras

Cultural Footprint - Arts and Education

www://dgartes.pt

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

Ensure public access to the various fields of artistic activity, contributing to the promotion of quality of life, citizenship and the qualification of the population;

Encourage the decentralization and dynamization of cultural offery, correcting regional asymmetries and promoting artistic activity as an instrument of economic development and social qualification, inclusion and cohesion;

Promote artistic research, experimentation, creation and innovation;

Encourage the sharing of State responsibilities with cultural actors, including through local and other public and private entities, in order to stimulate local investment in the creation, production and dissemination of the arts;

To consolidate professional and creative activities, activities and activities, valuing their mission;

To promote the qualification of Portuguese and foreign artists living in Portugal;

Stimulate the artistic residence of creative entities;

Encourage artistic network production;

To value the network of cinemas and other cultural equipment, supporting regular quality programming, which includes an educational dimension;

Promote the production of publications and other materials for the dissemination or dissemination of the arts, in digital, online or printed form;

Articulate the arts with other sectoral areas.

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

Directorate General for the Arts

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

No information available for the period.

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Oui

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Oui

i.1 À quel niveau l’évaluation a-t-elle été conduite?:

National

i.2 Quelles ont été les principales conclusions?:

No information available about evaluation.

i.3 Quels ont été les indicateurs utilisés pour déterminer son impact ?:

No information available.

❭ POLITIQUES CULTURELLES ET MESURES

National Film Plan

a. 2 Contexte de la mesure:

POLITIQUES CULTURELLES ET MESURES

b. Objectifs clefs de la mesure:

The National Film Plan was established as a film literacy program and for the dissemination of national cinematographic works to the students, guaranteeing essential instruments and reading and interpreting cinematographic works among the students of the schools covered by the program. It supports and aims at an audience development in schools, through training actions targeting children and youngsters, aiming to create new audiences for cinema.

c. Quel(le) est:

c.1. le périmètre de la mesure:

National

c.2. la nature de la mesure:

institutional

c.3. La principale caractéristique de la mesure:

The National Film Plan is a common initiative from the Presidency of the Council of Ministers, through the Cabinet of the Secretary of State for Culture and the Ministry of Education and Science and is operationalised by the Institute for Cinema and Audiovisual, Portuguese Cinematheque and Directorate Gerneral for Education.

In the framework of the Plan, the Institute for Cinema and Audiovisual also grants support to projects that consist on the organization of training actions at schools and support young film makers / cinema student, through the funding of films made at the end of the course and first works after the conclusion of the training process.

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

Promote and raise awereness among students to cinematographic works, and provide them with knowledge about this art.

At the end of the school year 2015-2016, more than 20.000 students from schools from all over the country participated and got substancial benefit from the National Film Plan.

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

Institute for Cinema and Audiovisual

Portugueses Cinematheque

Directorate General for Education

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

No information available.

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Oui

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Non

❭ POLITIQUES CULTURELLES ET MESURES

ADDICT / Creative Industries Agency Portugal

a. 2 Contexte de la mesure:

POLITIQUES CULTURELLES ET MESURES

b. Objectifs clefs de la mesure:

ADDICT is a non-profit association supporting the creative industries sector in Portugal. The main objective is to foster favorable environment to promote creation, production and distribution in the creative industries while acting as an innovation and internationalization platform..

ADDICT’s aims and objectives include to:

• Nurture a positive environment for the development of CCIs;

• Thrive through the promotion of capacity building and internationalization of its stakeholders;

• Promote systemization of the sector;

• Advocate appropriate public policies to help the sector;

• Help with finding available funding;

• Create a platform for networking and knowledge promotion.

http://addict.pt

c. Quel(le) est:

c.1. le périmètre de la mesure:

National

c.2. la nature de la mesure:

institutional

c.3. La principale caractéristique de la mesure:

ADDICT was founded by 10 institutions with the aim to:

• Promote the CCI sector and the region;

• Help revitalize the industrial sector in the region;

• Create a connection between universities, the industry and young entrepreneurs.

ADDICT has then become the representative and coordinator for the creative industries cluster in Northern Portugal and later at national level. One of the ADDICT’s successes was joining the European Creative Hubs in 2014 that is now financed by the EU and whose goal is to monitor the hubs space.

ADDICT has 80 members covering the whole CCIs and spilling over to other sectors, such as research & development, universities, cultural NGOs (theatre groups etc.), city councils, freelancers, youth associations and others. The association is recognized by the Portuguese Ministry of Economy as the coordinator of creative industries cluster in Portugal. Additionally, ADDICT contributes to strategies addressing territorial competitiveness and urban regeneration.

ADDICT work includes:

• Co-operation with other partners on developing various initiatives targeting the sector’s professionals and organizations and also policy decision makers and institutions.

Providing support for its members to identify the appropriate partners and funding sources. To facilitate this, ADDICT organizes various events, such as Club ADDICT sessions or the European Creative Hubs Forum120, to address main interests and concerns of its members and to provide opportunities for new contacts and networks.

• Fostering the sector’s capacity building, like entrepreneurship and development and exploration of new ideas, through promotion and jury participation in various competitions, for example National Award for the Creative Industries and the Creative Business Cup.

• Organization of mentoring and accelerating programs for start-ups.

• Facilitation of contacts with investors and so-called business angels.

At European level, the Agency is actively cooperating with various partners and participates in a number of European projects.

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

Supply of competitive and qualified young human resources in the technological, cultural and creative sectors;

• Network of relevant infrastructures allowing sector professionals to learn, research, present, develop and experiment with new ideas and to interact with each other;

• Possibility of a cross-over with the tourism industry to use its full potential the diverse landscape and local produce and to exploit the possibility of capitalizing on the architectural and cultural heritage of the region/country;

• Further deepen cultural contacts and links with other parts of the world using the Portuguese language as a door to other markets.

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

ADDICT-Creative Industries Agency Portugal

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

About € 100,000 per year (spent on day-to-day operations) + funds received for various projects.

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Oui

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Oui

i.1 À quel niveau l’évaluation a-t-elle été conduite?:

National

i.2 Quelles ont été les principales conclusions?:

The long-term impact in the area of competitiveness of the creative strategy is yet to be mapped, however, it is already visible that the development of creative clusters has had a positive impact on urban regeneration and in attracting young creative minds to the region of Northern Portugal. There is no overall monitoring of effectivity. The national statistics about the CCI sector appear to be weak and incomplete. However, they show that the sector has been growing, thanks to the local investment in CCI.In 2013 a study was commissioned on the national level about the internationalization of the national CCI sector and its main conclusions were:

Motivation and knowledge of the CCIs sector of ADDICT employees. ADDICT is the only entity in Portugal that represents the CCI sector and thanks to its knowledge of the sector and its participants it has a role of mediator and facilitator.

• ADDICT’s model of functioning is a good one, however, without sufficient support (for example, national strategy), the implementation of it is very challenging. One of the successful approaches that could be replicated on the EU level is the involvement of various actors from across the business spectrum and not focusing on just entities involved with the CCI sector. The combination of cooperation and collaboration could be also replicated together with the improvement of interaction facilitation.

Some of the barriers that the agency and the sector face include:

• Lack of a nationwide political vision for the further development of the CCI sector and, as a consequence, lack of specific programmes and support tools;

• Lack of backing from authorities;

• Lack of effective collaboration with institutions;

• Many ADDICT members (for example, universities) have their own CCI departments that do not collaborate with the association;

• Economic and political instability that prevents an implementation of a long-term investment strategy;

• Emerging sector that cannot afford to pay for advice;

• Insufficient international mobility and participation in networks.

i.3 Quels ont été les indicateurs utilisés pour déterminer son impact ?:

No information available.

❭ POLITIQUES CULTURELLES ET MESURES

Aesthetic and Artistic Education in Schools

a. 2 Contexte de la mesure:

POLITIQUES CULTURELLES ET MESURES

b. Objectifs clefs de la mesure:

The promotion of an action plan covering different art forms in the school context. The project aims to develop:

Skills

• Creation of creative spaces in schools and cultural institutions.

• Provision of training for teachers and other school staff in different artistic fields.

• Provision of training for cultural actors.

Knowledge

• Development of models and structures for conveying arts and culture in schools and cultural institutions.

• Development of a multifaceted and tailor-made range of offers for cultural education and artistic projects.

Attitudes

• Development of long-term cooperation projects with local cultural institutions/artists.

• Promotion of systematic class activities in arts education.

• Development of the ability to appreciate and appraise works in the visual arts, music, dance and drama.

www.dge.mec.pt

c. Quel(le) est:

c.1. le périmètre de la mesure:

National

c.2. la nature de la mesure:

institutional

c.3. La principale caractéristique de la mesure:

Aesthetic and Artistic Education in Schools is a national initiative to promote and stimulate:

An increase of the aesthetic dimension of education through the appropriation of the language of various art forms, using the specific contents of each one to gradually implement educational strategies which ensure curricula which integrate different modes of expression and foster cross-curricular knowledge;
Development of joint actions between educational and cultural institutions based on the idea of culture as a need and an asset in the educational process;
Awareness among teachers and families of the role of art in children’s education and its relationship with other areas of knowledge;
Knowledge of cultural and artistic heritage as a process of affirmation of citizenship and a means of developing cultural literacy.

From 2010 to 2015, the programme has been implemented in 96 schools and 34 cultural institutions across the whole of the country, involving 3 595 teachers and 63 936 students thus far. The offer includes:

training in various art forms: visual art, music, drama, theatre, movement, dance;
building up partnerships between schools, cultural institutions and artists;
advising schools on artistic and cultural projects;
moderating and mediating processes within and between the schools and cultural institutions;
engaging children, teachers and families in all kinds of arts (e.g. dance, music, theatre and visual arts);
development of awareness of art as a form of knowledge.

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

- Experimentation and progressive mastery of the specific knowledge of each art form;

- Contact with different cultural backgrounds (musical, choreographic, theatrical, fine arts, among others);

- Development of the child’s expressiveness;

- Improvement and expansion of the child’s aesthetic experience;

- Development of the child’s aesthetic sense and intentionality.

The project also contributes to develop:

Arts (e.g. visual arts, music, dance, literature, drama)
interdisciplinarity: contribution of arts and culture to other non-artistic or non-cultural topics (e.g. environment, social climate, social inclusion, health, active lifestyle, sports).

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

General Directorate of Education, Ministry of Education and Science of Portugal

Calouste Gulbenkian Foundation

Aga Khan Foundation

Organisation of Ibero-American States

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

No information available

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Oui

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Oui

i.1 À quel niveau l’évaluation a-t-elle été conduite?:

National

i.2 Quelles ont été les principales conclusions?:

Give schools and cultural institutions the necessary resources to offer active participation in art and culture to every pupil.

Make sure that teaching of art and culture in schools and cultural institutions remains relevant at all levels within the institutions.

Support structures and mediators (such as cultural actors) in developing artistic projects and long-lasting cooperation.

i.3 Quels ont été les indicateurs utilisés pour déterminer son impact ?:

No information available

❭ POLITIQUES CULTURELLES ET MESURES

Platform of Arts and Creativity in Guimarães

a. 2 Contexte de la mesure:

POLITIQUES CULTURELLES ET MESURES

b. Objectifs clefs de la mesure:

The Platform of Arts and Creativity is an infrastructural project of transformation of the Old Market in Guimarães, a multifunctional space dedicated to artistic activity, cultural, economic and social. This equipment will host a series of skills and areas dedicated to three major program areas. Guimarães was European Capital of Culture in 2012.

c. Quel(le) est:

c.1. le périmètre de la mesure:

Regional

c.2. la nature de la mesure:

institutional

c.3. La principale caractéristique de la mesure:

The buildings that make up the Municipal Market and the space defined by them, commonly referred to as “the square”, a name inherited from market square are, as a unit, characteristic elements of the urban landscape of the city of Guimarães. The grounds of the old municipal market boasted a privileged and very central location with excellent accesses, very close to the Toural Square and the historic center.

The program provided a clear concept and defined the objectives intended to achieve with this infrastructure, listing a series of skills and spaces that constitute the functional program for both the new and the existing buildings, as well as the adjacent plots of land. For this purpose three major program areas were defined:

-Art Center, which houses a permanent collection, in this case the Collection of José Guimarães, temporary exhibition area, a multipurpose space for additional activities, performances and shows, in addition to a series of complementary services. The exhibition area gets the name of the artist José de Guimarães, born in the city, which then deposits a large group of the most important parts of the three collections that has constituted fifty years ago - African Tribal Art, Archaeological Art Chinese and Pre-Columbian Art (Mexico, Peru, Guatemala and Costa Rica) - and works of the artist's own authorship. The Center is composed of 13 exhibition halls, a store, a cafeteria, a conference room and a black box.

-Creative Labs are business support for the reception, installation of activities and incubation of projects related to creative industries, focused on innovation and entrepreneurship, allowing the development of business projects.
-Workshops to Support Emerging Creativity, consisting of workspaces and creative vocation for young creators in various areas of activity, hoping to develop projects on a temporary basis, boosting a contagious creative momentum throughout the Platform of Arts.

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

It provides the city with the effective acquisition of a singular and qualified public space, with dynamic and appealing activities and spaces of socialization and community life.

With this project, the transformation of the marketplace into a multifunctional space dedicated to artistic, economic, cultural and social activities within the scope of European Capital of Culture 2012, allowed for the physical and functional reintegration into the urban fabric, to become a reality and so, to recover one key area of the city space. In addition, the operation extended to adjacent plots, enabling the regeneration of the interior space of the block, which was completely uncharacterized, as a result of its occupation by a marble processing industry.

Finally, the intent to recover the existing building on the eastern side, trying to promote the installation of additional commercial activities that could enhance the creation of a space with a broad scope in regards to multidisciplinary cultural activities.

The whole structure, according to the program, would complement the existing equipment in the city, as well as those which were under development within the European Capital of Culture.

INTERNATIONAL CENTER OF ARTS JOSE GUIMARAES

13 Exhibition Halls

Conference Room - Capacity - Pax: 80 in audience

Possibilities of use: conferences, work meetings, training acyions, product launches, etc.

Cafeteria

Blak Box - Capacity-pax: 198

Possibilities of use: shows, conferences.

ATELIERS EMERGING

5 Workshops

LABS CREATIVE

12 Laboratories

OTHER SPACES

Restaurant, book store, parking

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

Municipality of Guimarães

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

No information available

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Oui

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Non

❭ POLITIQUES CULTURELLES ET MESURES

StartUP Portugal - Portuguese Strategy for Entrepreneurship

a. 2 Contexte de la mesure:

POLITIQUES CULTURELLES ET MESURES

b. Objectifs clefs de la mesure:

Startup Portugal is the Portuguese Government’s strategy for Entrepreneurship. More than fostering an entrepreneurial spirit, it aims to support those who are already entrepreneurs, ensuring the longevity of the companies created and increasing the impact they have on job creation and economic value. It means to organize, free up and promote the sharing of benefits, best practices and resources, identify regional and sectoral flaws and fill gaps.

c. Quel(le) est:

c.1. le périmètre de la mesure:

Regional

National

c.2. la nature de la mesure:

financial

institutional

c.3. La principale caractéristique de la mesure:

Devised as a four-year plan, it is focused on three areas of operation: Ecosystem, Funding and Internationalization.

Ecosystem

This pillar of StartUP Portugal’s intervention shall be developed with the purpose of identifying and overcoming sectoral and regional gaps in the acceleration programme, business incubators, fablabs, maker spaces and design factories. It will also strive to increase the international competitiveness of these assets, to promote the sharing of physical resources and know-how, to promote greater professionalization of teams and of the services offered to entrepreneurs and companies being incubated.

Funding
The public financing policies for start-ups will be focused on offering alternatives to bank loans, namely by promoting new methods of financing, such as equity crowdfunding and peer-to-peer lending, co-investment with the best national and international investors, bolstering Portugal Ventures’ intervention as the body responsible for public venture capital investment, in strategic sectors for the national economy and in projects at a stage at which the risk is perceived to be too high for private investors and where there is currently a gap in the market. Within this scope, vouchers will be created for start-ups to acquire professional incubation services, and for young people who live in Portugal or abroad who wish to create a start-up in Portugal, regardless of their financial situation, to support the establishment of the most favorable tax regime for the start-ups and to provide job creation incentives.

Internationalisation
In this area, a number of initiatives will be carried out to strengthen the objective to position Portugal as a global destination to attract foreign start-ups, investors, incubators and accelerators, to promote the national ecosystem in the markets, namely by supporting the presence of Portuguese start-ups at the main sectoral trade fairs, at the largest global tech events, in official delegations, in State visits aboard, and State receptions for foreign entities.

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

Portugal is a country rich in talent and diversity. The public investments made in the past decade in education, infrastructures and technology pave the way for those wanting to start or invest in a new business. With one of the most vibrant entrepreneurship ecosystems in Europe, Portugal is a top destination to create, test, fail fast and try again.

The strategy intends to strengthen different qualified and creative entrepreneurship levels, through direct support to entrepreneurs, encouraging the emergence of new business opportunities, particularly in creative and innovative fields .

It also includes the activities of cultural and creative industries, which make use of creativity, cultural knowledge and intellectual property, resources to produce tradable and international goods and services with social and cultural significance (such as the performing and visual arts, cultural heritage, crafts, cinema, radio, television, music, publishing, educational software and entertainment and other software and computer services, new media, architecture, design, fashion and advertising).

Thus, this strategy supports individual projects aimed at creating companies that carry out activities in sectors with dynamic and strong growth, including the built-in creative and cultural industries and / or sectors with intensive knowledge or technology.

Different projects and mechanisms are envisaged: Ecosystem - National Incubators Network, National Makers Network, Free Zone – Technology, Simplex for Start-ups and Inclusive and job-oriented Entrepreneurship; Funding - Startup Voucher, Momentum Programme, Incubation Voucher, Seed Programme, Hiring Incentives, New Financing Methods, Calls Portugal Ventures, Co-investment with Business Angels, Co-investment with Venture Capital Firms; Internationalisation - Portuguese start-ups at the largest global tech events, Portuguese start-ups at the main national sectoral trade fairs, Portuguese start-ups at official receptions and State events, Creation of a Portuguese accelerator of reference in Europe, Web Summit.

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

Ministry of Economy

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

As referred above, the public financing policies for start-ups will be focused on offering alternatives to bank loans, namely by promoting new methods of financing, such as equity crowdfunding and peer-to-peer lending, co-investment with the best national and international investors, bolstering Portugal Ventures’ intervention as the body responsible for public venture capital investment, in strategic sectors for the national economy and in projects at a stage at which the risk is perceived to be too high for private investors and where there is currently a gap in the market.

Within this scope, different instruments and support schemes are being created and planned, such as vouchers for start-ups to acquire professional incubation services, and for young people who live in Portugal or abroad who wish to create a start-up in Portugal, regardless of their financial situation, to support the establishment of the most favorable tax regime for the start-ups and to provide job creation incentives, monthly incentives given to young entrepreneurs, among others.

For the moment it was impossible to indicate an ammount for national investment, since it will combine national and european funds, structural funds along with crowdfunding and peer-to-peer lending and most of the instruments and schemes are still being designed.

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Oui

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Non

❭ POLITIQUES CULTURELLES ET MESURES

National Reading Plan

a. 2 Contexte de la mesure:

POLITIQUES CULTURELLES ET MESURES

b. Objectifs clefs de la mesure:

The National Reading Plan is a Government initiative, of the responsibility of the Ministry of Education, jointly with the Ministry of Culture and Minister of Parliamentary Affairs.

This is a response to the concern on the literacy levels of the population in general, especially that of young people, which is significantly lower than the European average.

The main objective of the National Reading Plan is to raise the level of literacy of the Portuguese people and to place the country on a par with its European partners.

It is aimed at creating the conditions for the Portuguese people to achieve reading levels in which they feel that they are fully capable of deal with written words, under any circumstances of life, and can interpret the information made available by the media, access scientific knowledge and enjoy the great novels of Literature.

The National Reading Plan has the following objectives:

• Promote reading, considering it an essential element in individual development and national progress

• Create a social environment is favorable to reading

• Make an inventory and valorize educational practices and other activities stimulating pleasure in reading amongst children, young persons and adults

• Create instruments enabling the definition of increasingly more precise targets for the development of reading

• Enrich the skills of social players, developing both the formal and informal action of teachers and reading mediators

• Consolidate and increase the role of the Public Library Network and School Library Network in developing reading habits

• Gradually achieve better results in national and international studies evaluating literacy.

c. Quel(le) est:

c.1. le périmètre de la mesure:

National

c.2. la nature de la mesure:

legislative

institutional

c.3. La principale caractéristique de la mesure:

It will be implemented through a set of strategies aimed at promoting the development of skills in reading and writing, as well as the broadening and deepening of reading habits, especially among school populations.

A Plan focusing on the development of reading as a political priority and a national goal should have various strategic lines:

Broaden and diversify actions promoting reading within school, family and other social contexts
Contribute to the creation of a social environment favorable to reading
Ensure training and support tools
Make an inventory, and optimize resources and skills
Create and maintain and information and evaluation system
Principles for the Promotion of Reading

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

In addition to the programs to promote reading which have been launched within the context of the Plan, it is hoped that multiple and various initiatives will appear spontaneously, with a local, regional and national scope, carried out by civil society organizations, professionals and volunteers.

If responsibility is taken on collectively, the country will be led to a higher level in a faster and better way.

It is hoped that the public discussion on the proposals and the effects of the National Reading Plan and the disclosure, through the media, of the results of its studies will contribute to creating a social environment favorable to the broadening of cultural habits in the area of books and reading. But it is also hoped that multiple and various initiative arise spontaneously, of local, regional and national scope, in the public and private sector spheres, carried out by civil society organizations, professionals and volunteers.

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

Ministry of Education

Ministry of Culture

Municipalities

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

The Ministries jointly responsible for the Plan define the technical and financial resources for the execution of the respective programs.

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Non

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Oui

i.1 À quel niveau l’évaluation a-t-elle été conduite?:

National

i.2 Quelles ont été les principales conclusions?:

It wasn't possible to access the necessary and reliable information. Neverthless the maintenance of the plan over several years means that it's still considered important and necessary and even if some changes have been introduced it still remains close to its original basis. A new plan is beeing envisaged.

i.3 Quels ont été les indicateurs utilisés pour déterminer son impact ?:

It's has not been possible to access the information

❭ COOPÉRATION CULTURELLE INTERNATIONALE

Strategic Plan for Multilateral Cultural Cooperation in Portuguese Speaking Countries

a. 2 Contexte de la mesure:

COOPÉRATION CULTURELLE INTERNATIONALE

b. Objectifs clefs de la mesure:

Promote the exchange of knowledge among cultural agents, artists, writers, composers, researchers, managers and civil society organizations, through the creation of conditions that guarantee the mobility of cultural operators and the circulation of cultural goods;

Identify and promote joint actions that benefit the populations;

Establish and define the mechanisms of communication and transmission of information;

Provide culture professionals with tools that allow them to develop and safeguard their creations;

Stimulate the internationalization of CPLP (Community of Portuguese Speaking Countries) in the field of Culture;

Promote arts and cultural education activities aimed at different target audiences in the Community;

Structure and strengthen cooperation among the CPLP countries in the field of cultural heritage, with a view to preserving, enhancing and disseminating that heritage.

c. Quel(le) est:

c.1. le périmètre de la mesure:

International

c.2. la nature de la mesure:

institutional

c.3. La principale caractéristique de la mesure:

The Plan presents five previously identified axes based on the strategic guidelines of CPLP's statutory bodies and systematizes the actions considered as priorities for the CPLP's Strategic Plan for Multilateral Cultural Cooperation (2014-2017 and 2017-2021), to be implemented in the short , medium and long term through specific programs, projects and actions in the field of culture.

1st Axis - Cultural Industries and Creative Economy int the CPLP

The promotion of the culture of Portuguese-speaking countries through multilateral cultural cooperation in the field of cultural industries, cultural expressions (cinema, music, theater, dance, visual arts, among others) and festivals, shows, cultural seasons and various events In third countries, represents a vector of CPLP's strategic vision of cooperation.

2nd Axis - Diversity of Cultural Expressions in the CPLP

The Charter of the CPLP (1996) recognizes that the cultural diversity of the Member States is a common cultural heritage and is one of the pillars of the CPLP.

3rd Axis - CPLP Internationalization in the Field of Culture

Promoting the cultural potential of the CPLP Member States to regional and international organizations through multilateral cooperation outside the Community is a strategic basis for cooperation with a view to the internationalization of the CPLP.

4th Axis - Cultural Heritage and Historical Memory of the CPLP

The recovery of the historical heritage of the Member States of the CPLP and the creation of mechanisms to facilitate the reproduction of this common heritage is also a strategic basis for the recovery and sharing of the Historical Memory of the CPLP.

5th Axis - Training of Human Resources

Cooperation projects and / or programs for the training and qualification of professionals related to the different sectors of culture and technical assistance for the exchange between institutions and specialized personnel are lines of action considered as priorities by the CPLP Ministers of Culture.

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

Recognizing the importance of culture to consolidate the CPLP objectives, as required in the CPLP's statutory documents, this Plan constitutes a proposal for a strategic vision for a period of six years (2014 to 2020), with a view to Cultural cooperation between member states and the strengthening of their development through culture.

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

Community of Portuguese Speaking Countries - Executive Secretary

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

Financial contributions from all member states and state budgets of each country.

Member states will allocate a sum of money to the projects and activities they are interested in.

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Oui

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Non

❭ COOPÉRATION CULTURELLE INTERNATIONALE

Program CPLP Audiovisual

a. 2 Contexte de la mesure:

COOPÉRATION CULTURELLE INTERNATIONALE

b. Objectifs clefs de la mesure:

The purpose of the CPLP (Community of Portuguese Speaking Countries) Audiovisual Program is to promote the production and broadcasting of audiovisual content in the member states of the Community of Portuguese Speaking Countries by national competitions for the selection of projects of documentaries and fiction TV films in Angola, Brazil, Cabo Verde, Guine-Bissau, Equatorial Guine, Mozambique, Portugal, Sao Tome and Principe and East Timor.

c. Quel(le) est:

c.1. le périmètre de la mesure:

International

c.2. la nature de la mesure:

financial

institutional

c.3. La principale caractéristique de la mesure:

The CPLP Audiovisual Program integrates the following 3 lines of action:

1. "DOCTV CPLP II" - II Program to Promote the Production and Broadcast of the Documentary of the Community of Portuguese Speaking Countries:
• Co-production of a national documentary of 52 minutes by each country;
• Allocation of financial support in the amount of € 50,000 to the documentaries selected by each country.

2."FICTV CPLP I" - I Program to Promote the Development, Production and Broadcast of Fiction Works of the Community of Portuguese-speaking Countries:
• Co-production of a 52-minute fiction film, based on the adaptation of a national literary work - in the case of Angola, Brazil, Mozambique and Portugal.
• Allocation of financial support in the amount of € 150,000.00 to selected films by each country;

•Development of a 52-minute fiction television project, for the other CPLP countries;
• Allocation of financial support in the amount of € 40,000.00 for selected projects by each country.

3. "Our Language I" - I Program of Exchange and Broadcast of Documentaries:
Designed for the network of public broadcasters, it aims to broadcast the Our Language Program, which aims at the dissemination of documentaries illustrating socio-cultural issues contemporary to the national realities of the Member States of the CPLP, by providing up to 4 documentary works of 52 minutes ( or approximate duration) with free rights for diffusion in the other national public broadcasters that are members of the Network and in the composition of the weekly programming range for the diffusion of the Our Language Program.

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

Training, co-production and broadcast of portuguese-language audiovisual content in various national and world markets, based on a network operation model, whereby each participating State / region simultaneously co-produces audiovisual works and ensures broadcasts through public television broadcasters.

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

Portuguese Institute for Cinema and Audiovisual

Brazilian Secretary of State for Audiovisual- Ministry of Culture

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

DOCTV CPLP - Allocation of financial support in the amount of € 50,000 to the documentaries selected by each country

FICTV CPLP

Co-production of a 52-minute fiction film, based on the adaptation of a national literary work - in the case of Angola, Brazil, Mozambique and Portugal.
• Allocation of financial support in the amount of € 150,000.00 to selected films by each country;

Development of a 52-minute fiction television project, for the other CPLP countries;
• Allocation of financial support in the amount of € 40,000.00 for selected projects by each country.

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Oui

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Non

❭ COOPÉRATION CULTURELLE INTERNATIONALE

Cooperation with Macau in the area of Archives-International Memory of the World Register

a. 2 Contexte de la mesure:

COOPÉRATION CULTURELLE INTERNATIONALE

b. Objectifs clefs de la mesure:

Encourage mutual exchange of professionals in the area of Archives, encourage cooperation for experts' training in the areas of archives description, conservation, restoration and digitization, as well as promote the exchange of information and periodical publications about technologies used in archive systems, in the areas of current archives and electronic archives.

Other important objective of this cooperation, consolidated in the signature of a Memorandum of Understanding, was the promotion of a common application of the collection "Official Records of Macao During the Qing Dynasty (1693-1886)" to the UNESCO's International Memory of the World Register, which was carried out in May 2016.

c. Quel(le) est:

c.1. le périmètre de la mesure:

International

c.2. la nature de la mesure:

institutional

c.3. La principale caractéristique de la mesure:

Participation of archive professionals in conferences os scientific nature, seminars, meetings and workshops which subject is of common interest to both countries;

Collaboration in activities organized in the framework of regional or internacional organizations in the area of archives;

Mutual promotion of exhibitions about heritage, historical and cultural ties, existing in the archives of both countries, on a non-profit basis;

Exchange of information, studies and periodical publications concerning archives;

Exchange of fac-similes of documents guarded by both countries and related to the historical relationship developed between Portugal and the Special Administrative Region of Macau:

Mutual promotion of activities in the areas of archives conservation, restoration, digitazition and description;

Promotion of a common application of the collection "Official Records of Macao During the Qing Dynasty (1693-1886)" to the UNESCO's International Memory of the World Register, which was carried out in May 2016.

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

Presentation of a common application of the collection "Official Records of Macao During the Qing Dynasty (1693-1886)" to the UNESCO's International Memory of the World Register, which was carried out in May 2016.

At the same time, the Portuguese National Archives Torre do Tombo should develop some agreed work to the Cultural Fund of the Government of Macau, regarding conservation and digitization of the collection:

- minimal intervention for conservation and restoration in 549 documents in chinese

- interventaion for preservation and restoration in about 500 documents in portuguese

- description, digitazation and final report of the work

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

Directorate-General for Books, Archives and Libraries-Portugal

Cultural Fund of the Government of the Special Administrative Region of Macao

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

The Cultural Fund of the Government of the Special Administrative Region of Macao will pay to Torre do Tombo the global ammount of 490.000 patacas (Macao's currency)

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Oui

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Non

❭ COOPÉRATION CULTURELLE INTERNATIONALE

Project NÓS - A Galician-Portuguese Project for Theatre

a. 2 Contexte de la mesure:

COOPÉRATION CULTURELLE INTERNATIONALE

b. Objectifs clefs de la mesure:

National Theatre D. Maria II designed a cooperation project between the 2 Portuguese National Theatres (Lisbon and Porto) and the Galician Dramatic Center, as well as with the Superior Theatre / Drama Schools of Lisbon, Porto and Vigo.

The project aims to create a regular circulation of performances (a theater production per year) between Lisbon, Porto and Santiago de Compostela, with the graduate students of the 3 Superior Drama Schools in different training areas.

c. Quel(le) est:

c.1. le périmètre de la mesure:

International

c.2. la nature de la mesure:

institutional

c.3. La principale caractéristique de la mesure:

The project NÓS is the basis of synergies between Portugal and Galicia. To invest in the relationship with Galicia is to invest in the future. That’s why this is a cooperation project between the 3 drama schools (Lisbon, Porto and Vigo), the 2 National Theatres (TNDMII and TNSJ) and the Galician Dramatic Center, to create conditions for national productions, having in mind the professional circulation of Portuguese and Galician students. With this project and from the training process, artistic and creative networks we’ll be created.

The Project has 2 editions, the first one in 2015 and the second one in 2016. It was decided that 11 students from the 3 Drama schools would participate (2015), acting students and technical specialities students. National Theatres and the Dramatic Center have the responsibility to ensure production resources and visibility.

In the first edition (2015):

1st rehearsal month - April – Porto
2nd rehearsal month – May – Lisbon
Opening – June – National Theatre D. Maria II – Lisbon
Performances – Lisbon (June), Porto (June) and Santiago de Compostela (June)
Portuguese drama director and playwright.

In the second edition (2016):

1st rehearsal month - April – Porto
2nd rehearsal month – May – Santiago de Compostela
Opening – June – Santiago de Compostela
Performances – Santiago de Compostela (June), Porto (June) and Lisbon (June)

Galician drama director and playwright.

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

Devised to help in the construction of a network of young artists, this project places National Theatres at the service of the educational community, reinforcing student’s professionalization and circulation.

At the same time this project will enable the reinforcement of the cultural cooperation between Portugal and Galicia and a better knowledge of both peoples and culture.

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

Portuguese National Theatres - Teatro Nacional D. Maria II (Lisbon) and Teatro Nacional de S. João (Porto)

Galician Dramatic Center

Theatre / Drama Schools of Lisboa, Porto and Vigo

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

No information available.

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Non

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Non

❭ TRAITEMENT PRÉFÉRENTIEL

Cooperation Strategic Program Portugal - S. Tomé and Príncipe – a new generation of programs

a. 2 Contexte de la mesure:

TRAITEMENT PRÉFÉRENTIEL

b. Objectifs clefs de la mesure:

The development cooperation policy is a key vector of the Portuguese external policy, based in a general consensus between the main political forces and civil society, aiming at the poverty eradication and the sustainable development of partner countries, in a context of respect for human rights, democracy and the rule of law.

The design of the cooperation policy takes into consideration new national and international opportunities and challenges, as well as commitments internationally undertaken. It must be in line with and be essential to national interests and respond in an effective and structuring way to objectives and priorities of partner countries.

Cooperation must be understood as an investment and not as an expense, as development and not just aid, which must complement and reinforce other aspects of foreign policy, namely economic diplomacy and external cultural action, to the benefit of both sides. It’s based on a model of decentralized management and framed in the Strategic Concept of Portuguese Cooperation 2014-2020.

This is the first Cooperation Strategic Program of the new generation to be signed, having as guidelines the priorities of the government of S. Tomé and Príncipe and is a result of the negotiation between the 2 countries according to the needs identified by STP.

The Program has a logical continuity in what are the Portuguese cooperation gains: education, training and culture; health and social affairs; finance, justice and security. It integrates also areas such as energy, environment and finance.

Interventions in each of the areas contribute for the achievement of the UN Sustainable Development Goals and the program will invest in projects and actions with greater scale and potential impact to the country.

The promotion of gender equality, the support to the most vulnerable groups and to the civil society remain as cross-cutting objectives. A particular emphasis will be given to the promotion of partnerships with other actors, public and private, national and international in particular with the private sector, NGOs, civil society.

c. Quel(le) est:

c.1. le périmètre de la mesure:

International

c.2. la nature de la mesure:

financial

institutional

c.3. La principale caractéristique de la mesure:

This is the first Cooperation Strategic Program of the new generation to be signed, having as new guidelines the alignment of interventions with the priorities of the partner country and the achievement of the sustainable development goals. It follows a result orientation and accountability rationale, with regular common monitoring and evaluation. This way the intention is to contribute to a gradual sense of ownership of the partner country regarding the different areas in a framework of sustainable development. The new programs also want to reflect an integrated approach to different support schemes, including loans and credit lines in a complementarity rationale.

The program includes the following priorities: Education, Training and Culture, Health and Social Affairs, Justice and Security, Energy and Environment and Finance.

Education, Training and Culture are considered fundamental vectors in every country development process, constituting an important feature in the fight against poverty. The development of human capital through the qualitative and quantitative improvement of education at all levels is essential to meet the challenges of sustainable development with multiplier effects in other areas of development. This cooperation provides programs, projects and actions in different cultural areas such as the reinforcement of reading access through the technical support to school libraries, collaboration in the framework of the common archives heritage or technical support in areas associated to historic heritage and the revitalization of the national culture.

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

According to international good practices, the identification of the projects and its formulation assures that a relevant project will be supported, consistent with the policies of the partner and the problems to resolve; that the planned intervention will be feasible, producing benefits and managed in an efficient way. The implementation of the projects is done systematically, so that identified problems can be resolved, guaranteeing a total sustainability of each action.

Development cooperation policy:

Reinforce capacities of the countries and institutions in structuring areas for human development
Promotes good governance, democracy and the consolidation of rule of law
Stimulates local economies, promoting economic growth through the reinforcement of the national business sector and the attraction of direct foreign investment that contribute to its growing integration in the global space.

Recognizing the importance of culture to the construction of multicultural societies, with capacity to develop and valorize its cultural specificity in the international level, it’s important to promote heritage and the arts, in its different aspects. Cooperation policy must also be understood as a promotor of partnerships and operation of new projects involving citizens and companies to mutual benefit.

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

Camões Institute for Cooperation and Language-Ministry of Foreign Affairs

Government of S. Tomé and Príncipe

Portuguese sectorial Ministries

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

The Cooperation Strategic Program 2016-2020 has a financial envelope for the 5 years of EUR 57,5 million, to be allocated in the priority sectors: Education, Institutional qualification, training and Culture; Health and Social Affairs; Justice and Security, Energy and Environment; and Finance.

From this amount two thirds go to Education, Training and Culture, Health and social Affairs.

EUR 11,5 million will be allocated as loans/credit lines.

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Oui

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Non

❭ TRAITEMENT PRÉFÉRENTIEL

Support to Democratic Governance Process in East Timor: EU Media Program in East Timor

a. 2 Contexte de la mesure:

TRAITEMENT PRÉFÉRENTIEL

b. Objectifs clefs de la mesure:

Encourage the development of free, plural and independent media, thus strengthening diversity, protection of human rights and good governance. “The overall objective is to strengthen democratic foundations of oversight/accountability and transparency through institutional and capacity development in Parliament, Judiciary and Media, including joining efforts between them, by specifically addressing the shortage of skilled human resources, which constitutes one of the causes of fragility in the country, and through dissemination of better information about legislation, the judiciary and security sector activities.” (Financing Agreement nº TL/FED/22100)

The main objectives cover 5 different areas:

1. Legislation - Media activity framed by legislative package
To accompany and participate in the preparation of diplomas establishing the bases of regulation of the media sector in Timor-Leste

2. Self-regulation - journalistic activity regulated by self-regulation procedures / codes
To monitor and participate in the preparation of self-regulatory mechanisms for journalistic activity in Timor-Leste

3. Training - Journalists trained in the transmission of reliable information to the public, thus contributing to the increase of media literacy, economic and financial literacy and legal literacy in order to promote knowledge of the population
Provide journalists and media professionals with specialized training, using experts

4. Public Information - Disseminate information on the activities of the Government, the Parliament, the Chamber of Accounts and the Police, with the aim of improving the knowledge of the population about state action, strengthening democratic bases.
To produce and disseminate four public information campaigns to strengthen the population's knowledge of the role of the four institutions (Government, Parliament, Chamber of Accounts, Justice and Police) and the democratic system

5. Collective Memory - Reinforce the cultural identity of Timor-Leste through the recovery and protection of RTTL files
Scan and protect RTTL audio-visual files

c. Quel(le) est:

c.1. le périmètre de la mesure:

International

c.2. la nature de la mesure:

legislative

regulatory

institutional

c.3. La principale caractéristique de la mesure:

Improving the overall situation of the media sector in Timor Leste. The Program (that lasted from 2012 to 2015) provided several training courses (more than one thousand of hours of classes) to journalists and media professionals in Dili, it started an exchange student program for students of journalism between the National University of Timor Leste and the Catholic University of Portugal. At the legislative level, the program provided technical advice and assistance to the group responsible for drafting the new Media Law, which was promulgated and published on the 19th of November, 2014. The Program also promoted the holding of the first National Congress of Journalists of Timor-Leste, in which one of the goals of the Program was fulfilled: the approval and signing of a universal Code of Ethics for all journalists in Timor-Leste. The Program also provided the means to digitize the archives of the Public Television of Timor Leste (RTTL) and secured specialized training for its journalists and personnel. The Program also created a specialized library in the matters of media and Portuguese language in Dili. It has also produced media campaigns aimed at providing the population with a better knowledge of the functioning of state bodies through the distribution of information leaflets and the broadcasting of radio and television programs.

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

1. Legislation - Media activity framed by legislative package
2. Self-regulation - journalistic activity regulated by self-regulation procedures / codes
3. Training - Journalists trained in the transmission of reliable information to the public, thus contributing to the increase of media literacy, economic and financial literacy and legal literacy in order to promote knowledge of the population
4. Public Information - Disseminate information on the activities of the Government, the Parliament, the Chamber of Accounts and the Police, with the aim of improving the knowledge of the population about state action, strengthening democratic bases.
5. Collective Memory - Reinforce the cultural identity of Timor-Leste through the recovery and protection of RTTL files

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

IPAD (currently Camões- Instituto da Cooperação e da Língua, IP), by delegation of the European Commission.

The technical execution of the activities was the result of specific cooperation protocols signed between Camões, the Secretary of State of the Council of Ministers of the Democratic Republic of East Timor, National radio and TV

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

The program was funded by the 10th European Development Fund (EDF) under the Cotonou Partnership Agreement that allocated 1 million euros to implement the measures.

g. Nom des organisations non gouvernementales et/ou le secteur privé engagés dans la mise en œuvre de la mesure?:

Nom:

• CEFTEC (Center for Technical Communication Training): Dili’s training center and school for professionals of the media sector.

Type d’implication:

A protocol between CENJOR and CEFTEC was signed and CENJOR sent portuguese teachers and journalists to CEFTEC to teach several classes and training programs.
CENJOR (Centre of Professional Training for Journalists), a Portuguese Professional Training Center for Journalists and professionals of the media sector. A protocol between CENJOR and CEFTEC was signed and CENJOR sent portuguese teachers and journalists to CEFTEC to teach several classes and training programs.

Nom:

• Catholic University of Lisbon.

Type d’implication:

The Catholic University of Lisbon received several students from the National University of Timor Leste’s Journalism and Media Studies Course that came to Lisbon to study (student exchange program).

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Non

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Oui

i.1 À quel niveau l’évaluation a-t-elle été conduite?:

International

i.2 Quelles ont été les principales conclusions?:

No data available

i.3 Quels ont été les indicateurs utilisés pour déterminer son impact ?:

Number of consultations made to Civil Society for the implementation of diverse legislation related to Social Communication;
% Of the population that perceives the media as reliable sources;
% Penetration of the Written Press;
% Penetration of the Public Radio and Television Station;
Number of specific training courses targeted at journalists;
Frequency rate of the courses and training;
Level of satisfaction of students and the expert / teacher / trainer;
Evaluation of lectured chairs;
Number of students / trainees completing the courses successfully;
Knowledge acquired by exchange students.
Number of Community Radios supported by specific legislation;
Number of meetings with local stakeholders carried out to define the legal framework of the Media;
Legal framework for the Media promulgated and being inforced;
Singing and approval of a self-regulation code;
Number of hours of scanned and properly archived records;
Number of employees qualified to scan contents correctly;
Number of files consulted.
Number of contents produced (leaflets, radio and television programs)
Level of knowledge of the population regarding the topics covered by the contents that were produced.

❭ TRAITEMENT PRÉFÉRENTIEL

Development of Mechanisms for Collective Management of copyright in Cape Verde

a. 2 Contexte de la mesure:

TRAITEMENT PRÉFÉRENTIEL

b. Objectifs clefs de la mesure:

The main objective of this project is to involve the partners in order for them to make all efforts and cooperate aiming at, in a short term, help to implement in Cape Verde mechanisms to improve collective management of copyright and neighboring rights. These mechanisms should be expressed in the support to public and private institutions from Cape Verde and shall be based on principles of accuracy, transparency, fairness and equality in the treatment of the right-holders they represent, according to the best international practices.

The partnership established by the parties aims the following general objectives:

• Professionalization of the record publishing sector and valorization of artistic careers;

• Development and internationalization of the music industry on the extent of all their creative holders;

• Promote, with the competent international bodies, a Portuguese expression market of cultural goods;

• Promote the interaction between music and other economic sectors, in particular, creative industries, start-ups and tourism;

• To protect and disseminate both countries cultural and musical repertoire by promoting performances, artists and producers exchange.

c. Quel(le) est:

c.1. le périmètre de la mesure:

International

c.2. la nature de la mesure:

institutional

c.3. La principale caractéristique de la mesure:

To attain the objectives, a protocol for the support and consulting in the development of mechanisms for the collective management of copyright was signed, between the government of Cape Verde (through the Ministry of Culture and Creative Industries) and Portuguese entities of collective management of copyright, namely, Audiogest and GDA.

In compliance with the protocol, the Portuguese collective management entities (EGC-P) have the conditions to ensure:

Advice and technical support in the preparation of the activities plan and budget for copyright and royalties collecting in Cape Verde and in the preparation of regulations and internal rules for the collecting, distribution and rights management activities, as well for the procedures and organization of the management entity (ies) and respective forms;

• Training in raising repertoire and rights holders attendance; in copyright and related rights, with a particular focus on collectively managed rights; on tariffs definition and application; in negotiation and collecting functions: procedures, general rules, code of conduct for collection employees; in distribution functions.

• Provision, whenever possible and in particular when the EGC-P are seminars and courses of specialization promoters or organizers in the copyright and collective management field, of technical staff vacancies indicated by the Ministry of Culture and Creative industries (MCIC) or by the entity (ies) indicated by MCIC.

• Local monitoring of collective management implementation of several activities;

• Support for the international recognition of the entity (ies) within the producers and artists management societies community;

High-level technical assistance to support MCIC or whoever they understand to delegate within the framework of preparation and drafting of regulatory and legislative instruments;
The claim of international repertoire of Cape Verde origin, off Cape Verde, its identification, complaint, collection and delivery to the holders representatives.

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

To protect careers of creators from Cape Verde, it’s expected the establishment of conditions that enable cultural agents to operate and develop their artistic activity with legal security and a fair financial return.

This cooperation will bring to the Ministry of Culture and to Cape Verde several advantages:

• Effective implementation and short-term recovery mechanisms, management and distribution of copyright and related rights in the country;

• The possibility to obtain, through the management of EGC-P, revenue from related rights for the use of musical repertoire in foreign countries;

• Training technical staff in collective management and distribution of copyright and related rights;

• Contribute to promote the internationalization of Cape Verdean music in the world;

• Investment costs reduction and collective management system implementation;

• Permanent reduction of management costs for the use of international repertoire outside Cape Verde.

The advantages for the Portuguese entities are:

• Contribute to promote Portuguese music internationalization in the world and the exchange of producers, shows and artists in Cape Verde;

• Increase awareness and broaden management experience;

• General costs reduction by creating economies of scale;

• Reduction of international management costs for the use of Portuguese repertoire by creating an economy of scale enabled by the enlargement of the managed repertoire to the Cape Verde repertoire.

In a spirit of cooperation and mutual gains, this delegation of powers will allow the Portuguese entities, besides getting a fee for the management of the Cape Verde repertoire, to capitalize and develop its presence in the Portuguese-speaking market, creating true economies of scale.To Cape Verde advantages are mainly the cost reduction in the international management of the uses of the repertoire outside the country and the guarantee that royalties are dully taxed.

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

Audiogest – Association for the management and distribution of Rights

GDA – Collective Management Society of the Rights of Artists, Interpreters and Performers

Ministry of Culture and Creative Industries of Cape Verde

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

No information available yet.

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Oui

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Non

❭ INTÉGRATION DE LA CULTURE DANS LES POLITIQUES DE DÉVELOPPEMENT DURABLE

Annual Program to Support Immigrant Associations.

a. 2 Contexte de la mesure:

INTÉGRATION DE LA CULTURE DANS LES POLITIQUES DE DÉVELOPPEMENT DURABLE

b. Objectifs clefs de la mesure:

On an annual basis, funding for the Immigrant Associations is available, fostering activities that support immigrant`s integration.

c. Quel(le) est:

c.1. le périmètre de la mesure:

National

c.2. la nature de la mesure:

institutional

c.3. La principale caractéristique de la mesure:

As a result of the development of the Portuguese integration policies, in close partnership with the civil society, the Technical Support Office for Immigrant Associations (www.acm.gov.pt/viver/cidadania/associativismo) is an office within the High Commission for Migration that provides technical support on planning, implementation and assessment of the activities promoted by those Associations, also providing support for their activities.

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

The develpment of activities that support immigrant's integration.

Taking into account the importance and the positive impact that some of those activities might have in the countries of origin, the definition of the Annual Program to Support Immigrant Associations envisaged this possibility.

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

High Commission for Migration (www.acm.gov.pt)

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

This information is not available

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Non

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Non

❭ INTÉGRATION DE LA CULTURE DANS LES POLITIQUES DE DÉVELOPPEMENT DURABLE

Choices Programme

a. 2 Contexte de la mesure:

INTÉGRATION DE LA CULTURE DANS LES POLITIQUES DE DÉVELOPPEMENT DURABLE

b. Objectifs clefs de la mesure:

The Choices Programme (www.programaescolhas.pt) is a nationwide Programme which aims to promote the social inclusion of children and young people from vulnerable socio-economic backgrounds, aiming for equality of opportunities and the reinforcement of social cohesion.

c. Quel(le) est:

c.1. le périmètre de la mesure:

National

c.2. la nature de la mesure:

institutional

c.3. La principale caractéristique de la mesure:

The Choices Programme developed by the High Commission for Migration (www.acm.gov.pt), promotes the social inclusion of children and young people (6 to 30 years) from vulnerable socio-economic contexts particularly descendants of immigrants and ethnic minorities. In this Programme, local projects are design to match the specific needs of the people to whom it is directed and have a strong emphasis in school support to increase academic success. The Programme aims to fight against early school leaving by promoting non-formal education, vocational training, community participation, digital inclusion and empowerment.

The sixth generation of this Programme will run from 2016 until 2018, currently with 90 approved projects, involving around 75.000 participants.

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

The Programme aims to fight against early school leaving by promoting non-formal education, vocational training, community participation, digital inclusion and empowerment.

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

High Commission for Migration (www.acm.gov.pt).

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

Information not available.

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Non

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Non

❭ INTÉGRATION DE LA CULTURE DANS LES POLITIQUES DE DÉVELOPPEMENT DURABLE

Media and Disability Reflection Group

a. 2 Contexte de la mesure:

INTÉGRATION DE LA CULTURE DANS LES POLITIQUES DE DÉVELOPPEMENT DURABLE

b. Objectifs clefs de la mesure:

The Media and Disability Reflection Group was created with two key objectives:

a) To develop and to increase the levels of Media Accessibility by those with special needs;

b) to include characters with special needs and disability issues in media content, avoiding stereotypes and other misrepresentations of disability.

c. Quel(le) est:

c.1. le périmètre de la mesure:

National

c.2. la nature de la mesure:

institutional

c.3. La principale caractéristique de la mesure:

On March 2011, was created a think tank on issues that cross the media and disability. It was created by Gabinete para os Meios de Comunicação Social who invited, for this purpose, national personalities and institutions of reference in the different areas that Media / Disability involves such as ANACOM - National Communications Authority, ERC - Regulatory Entity for Social Communication, INR - National Rehabilitation Institute, RTP, SIC, TVI, FCT Access Unit, journalists and researchers / teachers.

Between March 2011 and December 2014, the Reflection Group promoted studies, including a survey of the state of the art and evaluation of the accessibility of national media web pages, held annual colloquiums, edited a guide about good journalistic practices in the field of disability, held hearings with various stakeholders (associations of disabled people, representatives of media industries, journalists ...), with the dual purpose of exchanging information and knowledge, as well as creating conditions for the establishment of partnerships between representatives of people with disabilities and the media. Also carried out a significant activity with NGOs that work in the field of disability in order to improve their skills to deal effectively with the media.

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

Main expected results concern the exchange of information and knowledge, as well as the creation of conditions for the establishment of partnerships between representatives of people with disabilities and the media. The activities carried out with NGOs that work in the field of disability intended to improve their skills to deal effectively with the media.

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

Gabinete para os Meios de Comunicação Social (between 2011 and 2015). After that, the Group was coordinated by the National Rehabilitation Institute.

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

Not quantified.

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Oui

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Non

❭ INTÉGRATION DE LA CULTURE DANS LES POLITIQUES DE DÉVELOPPEMENT DURABLE

PARTIS-Artistic Practices for Social Inclusion

a. 2 Contexte de la mesure:

INTÉGRATION DE LA CULTURE DANS LES POLITIQUES DE DÉVELOPPEMENT DURABLE

b. Objectifs clefs de la mesure:

PARTIS, which ran for the second time in 2015, is a programme that allows the Gulbenkian Foundation to realize its conviction that art is an agent for inclusion and social change through its unique power to bring people together. It has been designed to support projects that use artistic practices (music, photography, video, theatre, dance and circus arts) as tools to create bridges between communities that normally do not cross paths.

It's a program promoted by the Calouste Gulbenkian Foundation that believes that art is the engine for the inclusion and social change, with its unique power to unite people. It was designed to support projects that use artistic practices - music, photography, video, theater, dance and circus - as tools to create bridges between communities that usually do not cross.

It’s an application Funding Program, that allows the access to all organizations to apply. The program do not open exclusively to social or artistic agents. The program privileged the principle of democratization, to access to the finance. For example, there are projects promoted by entities with an exclusively social or artistic basis, but we can also find some hybrids organizations that have the both dimensions on its mission. This program funds the project but can also fund the structure of the organization in order to create a more sustainable basis for the intervention (eg. Refugiacto group - from Portuguese Refugee Council).

c. Quel(le) est:

c.1. le périmètre de la mesure:

National

c.2. la nature de la mesure:

institutional

c.3. La principale caractéristique de la mesure:

PARTIS gives finantial support to two projects developed by the Portuguese Refugee Council:

1."Refuge and Theatre: sleep thousand gestures on my fingers" (CPR/PARTIS)

It's a project, promoted by the Portuguese Refugee Council, funded by Partis Program (Artistic Practices for Social Inclusion), of the Calouste Gulbenkian Foundation, to associate the theater to language learning. The main objective of the project is to create a set of activities related to the theater, while enhancing the integration and social inclusion, mediator of personal and interpersonal conflicts, while supporting the learning and practice of Portuguese language and culture. It's also the link between the arts and life, unifier of cultures, knowledge and feelings, and finally the theater as an opportunity to share with the society in general the situation of refugees in the world and each of the refugee-performers have a voice that is all they have to shut up. Activities developed:
a) - Dramatic Expression sessions for asylum seekers accommodated in a Reception Centre for Refugees (Bobadela), using the theater as a base activity of the integration process, together with the Portuguese language);
b) - Organize and promote all the work of the RefugiActo, composed by refugees and non-refugees, with their own artistic objectives and intervention in society.

2. Refuge and Art: Sleeps thousand colors on my fingers

It's a project promoted by the Portuguese Council for Refugees, co-financed by the PARTIS Program (Artistic Practices for Social Inclusion), of the Calouste Gulbenkian Foundation. The main objective of this project is to develop a project related to the plastic arts, directed to young refugees and asylum seekers, in order to create tools that promotes the learning of the language and the inclusion in the Portuguese society. This project establishes partnerships with educational institutions, artists' studios, exhibition halls and galleries. Schools have a central role, embodied in the joint celebration of artistic expression initiatives and significant dates.

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

Where the second edition is concerned (2015), 160 applications were received from all over the country and 16 new projects were selected to receive support over the three-year period between 2016 and 2018.

The projects that made up the first edition, some of which are still underway, completed their second year of existence, having given rise to 7963 activities and 321 public events (37,636 visitors/public) and reaching around 5791 direct participants. These projects involve 181 full-time professionals, 104 volunteers and 287 (public and private, profit and non-profit) partner organisations.

There is concern about the process and not just with the product. The priority of PARTIS projects is the process of growth and autonomy of the people involved. The idea is in fact not make public presentation the culmination of the process, but a part of it, so that the work does not end there but remains, making more sustained the changing process. The public presentations are always previously assessed to see if they have artistic quality to do so.

1ª edition 2014-2016 - Funded - 17 projects

2ª edition 2016-2018 - Funded - 16 projects

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

Calouste Gulbenkian Foundation

Portuguese Refugee Council

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

The project represents an investment of around €1 million over a period of three years.

From 2014-2016, the Partis Programme Calouste Gulbenkian Foundation supports through PARTIS 15,000 €/year the following activities: Dramatic Expression sessions for asylum seekers and organize and promote all the work of the RefugiActo, composed by refugees and non-refugees, with their own artistic objectives and intervention in society.

Refuge and Art: Sleeps thousand colors on my fingers is a project financed also by the Calouste Gulbenkian Foundation (15.000€/year).

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Oui

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Oui

i.1 À quel niveau l’évaluation a-t-elle été conduite?:

National

i.2 Quelles ont été les principales conclusions?:

The evaluation methodology is being developed at the same time that the program is being implemented (ongoing evaluation). However they want to make a social and artistic evaluation. For this purpose, they are drawing with an evaluative expert in Arts from UK an artistic evaluation model to evaluate the artistic quality of the projects.

For the Program is important to evaluate the social inclusion process as well as the ability of the project for an artistic public presentation. The products that results from the intervention are very important but the emphasis is on the social and artistic process. In what concerns to the artistic evaluation it will be a more qualitative assessment.

Base in the experience of the first edition, in the second edition of the PARTIS was made an initial training about evaluation, specially dedicated to the Theory of Change, in order to define exactly what is expected for each project and which are their goals, so they could not be changed during the implementation process. This training was held for a day with the promoter and partner of each project. In this training were defined the goals of each project, their target groups and how they were standing at the moment.

i.3 Quels ont été les indicateurs utilisés pour déterminer son impact ?:

PARTIS have defined in its regulation the evaluation criteria for which, each project have to accomplish. Transcribing the PARTIS criteria set on the program Regulation:

a) Planning – establishing a clear and consolidated diagnosis, define goals, identify activities as well as the expected impact of the project in the problems diagnosed;

b) Partnership – in the creation and implementation of the projects, it should be involved more than one organization, setting a partnership whom assures complementarity, resources gathering, a joint responsibility for the actions, in order to facilitate the production of new dynamics (or the strengthening of the existing ones), and assure the sustainability of the actions;

c) Participation – involvement of the direct participants, of the communities and organizations, along the different stages of the project, promoting empowerment and joint responsibility processes;

d) World crossing – promote interactions in spaces and realities that are not common in the daily life of the direct and indirect participants;

e) Social Innovation – presentation of new ideas (products, services or intervention models) that matches with the needs of the participants (in a more effective way than the other alternatives), and, in parallel, with the creation of new social relationships or collaborations among field agents;

f) Accessibility and artistic experimentation – contemplate the possibility to participants access to the most variable artistic practices' through the experience as a public, creation and production;

g) Multidisciplinary' Perspective – promote the crossing between different areas in an integrated and complementary form: social, artistic, education, health, …

Related with the application analysis the Program also defined a set of criteria to better evaluate it. One of the principles of PARTIS is also not to meddle in the solution or the creative process of the projects.

❭ QUESTIONS TRANSVERSALES ÉMERGENTES: Résolution 5.CP 9b

Book Fair in East Timor – Reading exchange (2014)

a. 2 Contexte de la mesure:

QUESTIONS TRANSVERSALES ÉMERGENTES: Résolution 5.CP 9b

b. Objectifs clefs de la mesure:

Global aim: Promotion of the dissemination of knowledge and books

c. Quel(le) est:

c.1. le périmètre de la mesure:

International

c.2. la nature de la mesure:

institutional

c.3. La principale caractéristique de la mesure:

To ensure the organisation of a book fair; to make various books of different areas accessible for the population in general and for teachers and students in particular, adjusting their prices to the economic reality of the country in order to contribute to the promotion of the Timorese people’ reading habits in Portuguese.

Portuguese Cultural Centers form a structured network that simultaneously spread portugueses culture abroad and gives support to local cultural structures/entities. Centers are reference poles of the portuguese culture, promoting and enabling local initiatives in areas such as visual arts, cinema and music, they have libraries that frequently are indispensable to the local schools, becoming centers for spreading of knowledge and communal areas used by large swathes of the population.

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

Provision of the Timorese people with 21.400 books at reduced prices: 11.843 books have been sold, thus generating a revenue of $71,650,85; the execution of reading promotion actions, directed at the visitors of the fair, mainly at students and teachers; cultural programming; the equipping of the collections of Xanana libraries and the Mós Bele Programme, in Maubar.

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

Camões IP / Portuguese Cultural Centre in Dili

Ministry of Education of East Timor; Timor Lorosa’e National University; State Secretariat for Arts and Culture.

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

Camões I.P./ Portuguese Cultural Centre in Dili: €80,000,00

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Non

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Oui

i.1 À quel niveau l’évaluation a-t-elle été conduite?:

National

i.2 Quelles ont été les principales conclusions?:

Information is not available, but it's an activity of the Portuguese Cultural Center in Dili and its reoccurence implies a positive evaluation.

i.3 Quels ont été les indicateurs utilisés pour déterminer son impact ?:

No information available.

❭ QUESTIONS TRANSVERSALES ÉMERGENTES: Résolution 5.CP 9b

Sphera Cástris - Southwest Park for Heritage and Arts

a. 2 Contexte de la mesure:

QUESTIONS TRANSVERSALES ÉMERGENTES: Résolution 5.CP 9b

b. Objectifs clefs de la mesure:

The project Sphera Cástris aims, in the first place, to promote the cultural heritage and artistic education in Évora. However other national and international objectives are pursued for this center for the arts, science and technology, research, innovation and sustainability. .

The project seeks to respond to the need to create an infrastructure for culture and heritage, production and artistic creation, based on an integrated and inclusive vision of knowledge and its transfer. A location anchored in a historical and cultural territory, that fits in within a network with existing cultural and scientific equipment and organizations, allowing to develop integrated projects with scale to gain economic and cultural development of their region of influence.

This way other objectives of the project are:

To ensure greater accessibility to the (knowledge of) the region's Cultural Heritage

To increase the impact of Cultural Heritage at regional level

To promote entrepreneurship and job creation

To promote research and advanced training

To provide residencies for artists and researchers

To promote the training and qualification of human capital

To create an exhibition and interpretive pole and an experimental center for arts and heritage

To create a vision resulting in integrated management of knowledge and its transfer, in the domain of arts and cultural heritage, anchored in a determined historical territory

To create an European consortium / network for art and heritage.

c. Quel(le) est:

c.1. le périmètre de la mesure:

Regional

National

International

c.2. la nature de la mesure:

institutional

c.3. La principale caractéristique de la mesure:

Promoted by the Regional Directorate for Culture of Alentejo, the project involves a set of entities representing the municipality of Évora and the region, as well as several international entities, for streamlining the Convento de São Bento de Cástris (Convent of St Benedict of Cástris) and its surrounding area.

The approximately 5 000 square meters of construction will be subject to requalification works, in order to accommodate an exhibition pole and an experimental arts and heritage Centre.

The Sphera Castris will assume an integrated vision of arts, culture and heritage action as pillars for competitiveness and sustainable development, responding so to the needs, challenges and opportunities in the region. And it will engage in the creation of a strategic alliances network with regional, national and international partners, to affirm itself as an innovative and avant-garde Centre with ability to study, experience, disseminate, preserve and reinvent all cultural disciplines on two crucial cornerstones: knowledge and innovation.

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

It is intended that the project creates business clusters, development laboratories in the heritage area, artistic residencies and agricultural development works. It is expected that the intersection of science, heritage and contemporary art in the Convent area would contribute for the economic development of Évora and of the region.

The promoters believe the Sphera Castris can assert itself as an innovative structure of reference at European level dedicated to the promotion and enhancement of Southwest heritage, culture and arts, in an integrated and sustainable territorial perspective, guiding their action to the following major vectors:

Preservation and enhancement of cultural and traditional heritage of the territory through knowledge and its integration into national and regional policies.
Development of innovative technologies and methodologies in cultural heritage and associated areas.
Maximization of creative approaches in traditional arts and contemporary arts production and dissemination.
Increasing opportunities and resources for creating and artistic excellence.
Artistic and patrimonial education promotion and contribution to populations’ life quality.
Growth of competitiveness and creation of skilled employment in the Culture sector in the Alentejo region.
Contribution to the increase of visitors and overnight stays in the region in the scientific and cultural tourism sector.

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

Regional Directorate of Culture of Alentejo

Universities of Évora (EA, ECS, ECT, laboratories and research centres, Chairs), Lisbon (Faculty of Architecture), Coimbra (CEAACP), Algarve, Seville, Granada, Extremadura.

Municipality of Évora

Commission of Coordination and Regional Development of Alentejo

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

The investment comes from structural funds, through Creative Europe Program and scientific projects with the University of Évora.

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Oui

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Non

❭ QUESTIONS TRANSVERSALES ÉMERGENTES: Résolution 5.CP 9b

Programming of the Cultural Centre in Luanda - 2012-2015

a. 2 Contexte de la mesure:

QUESTIONS TRANSVERSALES ÉMERGENTES: Résolution 5.CP 9b

b. Objectifs clefs de la mesure:

Promotion of the production and dissemination of works by Angolan artists;

c. Quel(le) est:

c.1. le périmètre de la mesure:

International

c.2. la nature de la mesure:

institutional

c.3. La principale caractéristique de la mesure:

To promote the diversity of artistic expression; to create environments for the presentation of artistic practices and expressions of Angolan artists, at the Cultural Centre; to support the dissemination of works and the education of Angolan artists.

Portuguese Cultural Centers form a structured network that simultaneously spread portuguese culture abroad and gives support to local cultural structures/entities. Centers are reference poles of the portuguese culture, promoting and enabling local initiatives in different areas such as visual arts, cinema and music; they have libraries that frequently are indispensable to the local schools, becoming centers for spreading of knowledge and communal areas used by large swathes of the population.

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

Promotion of the cultural appreciation and qualification of artists and participants; stimulation of the mobility of artists and their work; reinforcement of cooperation with local public entites and local private entities; programming of activities together with partners. Between 2012 and 2015, around 95 activities were carried out.

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

Camões, I.P. / Portuguese Cultural Centre in Luanda

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

Camões, I.P./Portuguese Cultural Centre in Luanda: around €120,00,00 (2012-2015)

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Oui

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Non

i.1 À quel niveau l’évaluation a-t-elle été conduite?:

National

❭ QUESTIONS TRANSVERSALES ÉMERGENTES: Résolution 5.CP 9b

Portuguese-Brazilian Digital Library

a. 2 Contexte de la mesure:

QUESTIONS TRANSVERSALES ÉMERGENTES: Résolution 5.CP 9b

b. Objectifs clefs de la mesure:

The design of the Portuguese-Brazilian Digital Library (PBDL) started in 2014, as a result of a partnership between the National Library of Rio de Janeiro and the National Library of Portugal, with the main objective to coordinate efforts and to make available in the same access point all the digital collections of both institutions. It will be a first step to give a new dimension, relevance and visibility online to cultural content from a common language and history.

This is the first time that libraries from Portuguese speaking countries join together to make available their collections and seek to match other global initiatives.

Other objectives are:

- To collaborate actively in the transfer of knowledge in technical areas with a fast pace of evolution, in terms of standards, methodologies and technological resources of digitalization, information management and digital preservation;

- To coordinate activities to avoid digitalization duplication of the same content, in printed publications, optimizing resources; at this point, is highly relevant to Portugal the collaboration offered by the National Library Foundation (Brazil) to help in the mass digitalization of newspapers microfilm, of which BNP has more than 15 million images;

- To extend the collaborative processes to other areas of activity, such as joint production of exhibitions and cultural and technical events, strengthening institutional ties.

c. Quel(le) est:

c.1. le périmètre de la mesure:

International

c.2. la nature de la mesure:

institutional

c.3. La principale caractéristique de la mesure:

The project is a portal which will add automatically information of both national libraries of Brazil and Portugal, whose sum of content reaches more than 2 million documents, more than 60000 titles, corresponding to approximately 13 million images of bibliographic materials in the public domain, from all times and genres. Among them, we can find the first edition of “Os Lusíadas”, by Luís de Camões, from 1572.

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

After the entry into regular operation of the portal, it will begin a second phase of expansion, widening to COLUSO participants (Portuguese-Brazilian Committee for Safeguarding and Disseminating Documentary Heritage) and the other entities and projects from Portuguese libraries.

The Portuguese-Brazilian Library collection also includes works from 30 institutions of Portugal and 20 more from Brazil, including Real Gabinete de Leitura (Real Reading Office), founded by Portuguese immigrants in Rio de Janeiro, in 1837.

At this stage, it is predicted also the diversification of PBDL portal in terms of content typology, adding contextualization skills to digital collections, in an editorial area in which, in addition to dissemination of news events, it will be created files, exhibitions, essays, articles, etc. It is expected to attract around from 100000 accesses a month.

For a third phase, from 2016-17, both national libraries intend to extend the perimeter of PBDL to other Portuguese-speaking countries who wish to participate. In this phase it is expected the deepening of organizational structure and technique, and extending training and support services that make possible the cooperation from new participating countries.

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

National Library of Portugal

National Library of Rio de Janeiro

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

Information not available

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Non

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Non

❭ PRIORITÉ GLOBALE ACTUELLE DE L’UNESCO: EGALITE DES GENRES

VIDArte Prize – Art against domestic violence

a. 2 Contexte de la mesure:

PRIORITÉ GLOBALE ACTUELLE DE L’UNESCO: EGALITE DES GENRES

b. Objectifs clefs de la mesure:

To recognize artistic works in the areas of cinema, theatre and literature, announced during the period covered by the V Plan for Prevention and Combat to domestic and gender violence (2014-2017), that had focused the theme of domestic violence.

c. Quel(le) est:

c.1. le périmètre de la mesure:

National

c.2. la nature de la mesure:

institutional

c.3. La principale caractéristique de la mesure:

Portuguese works or co-productions can apply, written in portuguese language and promoted during the period previously defined, works that show:

Violence caused by a power imbalance between men and women, expressed in physical, psychologic and sexual violence and whose victims are mainly women;
Violence as an obstacle to achieve equality objectives, development and peace, that infringe, difficult or cancel the full enjoyment of human rights and fundamental freedoms

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

Raise awareness concerning domestic and gender violence, to reduce social tolerance regarding domestic and gender violence; break up gender stereotypes that support relationships based in power and control dinamics from one of the members in relation to the other; make more visible personal and social consequences that life in situations of domestic violence comprises.

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

Comission for Citizenship and Gender Equality

Cultural Strategy, Planing and Assessment Bureau

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

Four prizes are awarded, of 5.000,00 Euros each, to the winning works in each of the areas.

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Non

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Non

❭ PRIORITÉ GLOBALE ACTUELLE DE L’UNESCO: EGALITE DES GENRES

Award: Women creators of Culture

a. 2 Contexte de la mesure:

PRIORITÉ GLOBALE ACTUELLE DE L’UNESCO: EGALITE DES GENRES

b. Objectifs clefs de la mesure:

To give visibility to women noted for their cultural production.

This merit award, besides being a way to recognize women for the work carried out, intends to value and highlight women who develop their activities in the cultural sector, ensuring a balanced visibility between men and women, free of prejudices and stereotypes.

c. Quel(le) est:

c.1. le périmètre de la mesure:

National

c.2. la nature de la mesure:

institutional

c.3. La principale caractéristique de la mesure:

The initiative arises as part of the National Plan for Equality, Gender, Citizenship and non-discrimination (2011-2013 and 2014-2017), and its awarding implements the measures foreseen in the National Plans.

Enabling people of both sexes to have equal opportunities regarding cultural production and enjoyment is a major contribution to the exercise of a full citizenship, to reduce all kinds of inequalities, to social development and to reinforce a equalitarian paradigm of national identity in the context of an increasingly globalized world.

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

Enabling people of both sexes to have equal opportunities regarding cultural production and enjoyment is a major contribution to the exercise of a full citizenship, to reduce all kinds of inequalities, to social development or to reinforce a equalitarian paradigm of national identity in the context of an increasingly globalized world

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

Commission to Citizenship and Gender Equality

Cultural Strategy, Planing and Assessment Bureau (Ministry of Culture)

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

No information available

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Non

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Non

❭ PRIORITÉ GLOBALE ACTUELLE DE L’UNESCO: EGALITE DES GENRES

National Plan for Gender Equality, Citizenship and non-discrimination (2014-2017)

a. 2 Contexte de la mesure:

PRIORITÉ GLOBALE ACTUELLE DE L’UNESCO: EGALITE DES GENRES

b. Objectifs clefs de la mesure:

Reinforce gender equality in all government areas and gender dimension in the activities of all Ministries, becoming an important vehicle for intersectorial coordination of gender equality policy and non discimination based on sex and sexual orientation.
Reinforce intervention in different areas such as education, health and labour market, having in mind continuance of the ultimate objective of gender equality in all areas of society.

c. Quel(le) est:

c.1. le périmètre de la mesure:

National

c.2. la nature de la mesure:

legislative

institutional

c.3. La principale caractéristique de la mesure:

The Plan is based on a triple approach. On the one hand, the strengthening of gender mainstreaming, in order to ensure its integration into all areas of political activity and social reality, in order to build a full citizenship within the public and private spheres, integrating the Gender equality and non-discrimination as a requirement for good governance. On the other, the combination of this strategy with specific actions, including positive actions, aimed at overcoming the inequalities that affect women in particular. Also, the introduction of a gender perspective in all areas of discrimination, with a particular focus on the different impacts of this on men and women.

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

To ensure the close articulation between the Plan and existent national plans and programs in sectorial or transversal policy areas, relevant to the construction and deeepening of gender equality and non-discrimination on the basis of sex and sexual orientation.

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

Comission for Citizenship and Gender Equality

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

Included in the different Ministries budgets.

g. Nom des organisations non gouvernementales et/ou le secteur privé engagés dans la mise en œuvre de la mesure?:

Nom:

Many national and internacional NGOs

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Oui

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Oui

i.1 À quel niveau l’évaluation a-t-elle été conduite?:

National

i.2 Quelles ont été les principales conclusions?:

This information wasn't available but since the Plan for 2014-2017 is the 5th National Plan, its continued implementation means that, even with changes and corrections, the main objectives were attained and essential to maintain.

i.3 Quels ont été les indicateurs utilisés pour déterminer son impact ?:

Information not available

❭ JEUNESSE

More Leaders

a. 2 Contexte de la mesure:

JEUNESSE

b. Objectifs clefs de la mesure:

The Choices Programme (www.programaescolhas.pt) developed a special initiative dedicated to the empowerment of youngsters. The measure was designed in partnership with the Embassy of Cape Verde in Lisbon, targeted to youngsters with Cape Verdean origin, to discuss and reflect about the Democratic Institutions, the Rights and Duties, the International Conventions and the Justice, Media Literacy and Citizenship.- http://www.acm.gov.pt/-/-mais-lideres-acm-e-embaixada-de-cabo-verde-arrancam-com-programa-de-formacao-civica#

c. Quel(le) est:

c.1. le périmètre de la mesure:

National

c.2. la nature de la mesure:

institutional

c.3. La principale caractéristique de la mesure:

During this edition, 26 youngsters descends of Cape Verdean immigrants, between 19 and 33 years old, participated and received training and inputs from experienced partners such as Members of the Parliament, Diplomats, Professors and Associative Leaders. The final outcome of this initiative was a country visit to Cape Verde, where the participants had the opportunity to contact, learn and share experiences with local Associations, Public Institutions and Governmental Bodies.

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

The main result was the empowerment of youngsters.

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

High Commission for Migration (www.acm.gov.pt)

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

Information not available.

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Non

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Non

❭ JEUNESSE

10x10

a. 2 Contexte de la mesure:

JEUNESSE

b. Objectifs clefs de la mesure:

From a belief that artistic practices can inspire new tools, new strategies and new behaviours in the classroom, the project engages teachers, artists and students in trying out and discussing new approaches to learning. This good practice helps the target group with

Skills

• Students: self-expression, individual research.

• Teachers: performativity, communication, dialogic speech, authorship.

Knowledge

• Students: better perception of abstract concepts, enhanced capacity to relate concepts from different disciplines.

• Teachers: constructivist methods of teaching and learning.

Attitudes

• Students: respect (for teachers and fellow students), collaboration, pro-activity, responsibility.

• Teachers: listening, empowering students.

c. Quel(le) est:

c.1. le périmètre de la mesure:

National

c.2. la nature de la mesure:

institutional

c.3. La principale caractéristique de la mesure:

It involves collaboration between teachers and artists on the conception and promotion of new tools, strategies and teacher/student relationships in the classroom in order to motivate students and involve them in the learning process, with strong impact on teachers’ awareness and routines, and on students’ engagement, collaboration and motivation.

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

Developments of skills:

• Producing/making

Visual diaries, videos, texts, photographs, performances, games.

• Perceiving/analysing

Argumentation, invention of plausible scenarios, perceiving multiple meanings of the same words according to context, problem solving, critical analysis.

• Reflect upon arts/culture (production as well as perception)

Interpretation, self-expression, interactive play.

Improve relationship with:

- Arts (e.g. visual arts, music, dance, literature, drama) - By promoting ability in visual, sound and movement aspects, as well as linguistic ability.

- Media (e.g. film, television, newspaper, online) - Production of digital content.

- Subculture/different cultures (e.g. hip hop culture, Roma culture, urban culture, immigrant cultures) - Immigrant cultures, urban culture, rap, youth culture.

- Interdisciplinarity: contribution of arts and culture to other non-artistic or noncultural topics (e.g. environment, social climate, social inclusion, health, active lifestyle, sports) - Language, maths, philosophy, biology (secondary level), active citizenship, social inclusion.

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

Calouste Gulbenkian Foundation

Several schools

Two teacher training centres and a university research institute (Institute of Research in Education Development of the Universidade Nova de Lisboa)

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

Around EUR 50 000 per edition including evaluation and documentation costs;

Staff: one coordinator, one producer, two mediators, ten artists, one evaluator, three researchers, one film crew (per edition);

Several reports, communications and films are published online.

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Non

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Oui

i.1 À quel niveau l’évaluation a-t-elle été conduite?:

Local

i.2 Quelles ont été les principales conclusions?:

Introduce active collaboration between teachers and artists into the framework of continuous professional development of teachers, focusing on creative and reflective practices, as well as experimentation with alternative pedagogical strategies;

Elaborate a European code of conduct for teachers inspired by the eight key competences for education in the 21st century.

i.3 Quels ont été les indicateurs utilisés pour déterminer son impact ?:

No information available

Société civile

Parties

Avez-vous pris des initiatives impliquant la société civile dans les activités pour:

Promouvoir les objectifs de la Convention grâce à des campagnes de sensibilisation et autres activités:

Yes

Comment?:

In the last years several initiatives were taken to raise awareness concerning the 2005 Convention and to promote its objectives.

One example was a Colloquium organized in 2015 to celebrate the 10th anniversary of the Convention. It was prepared with the Lisbon municipality, the Portuguese Coalition for Cultural Diversity and the National Commission for UNESCO and it was held in the Fado Museum (fado is UNESCO Intangible heritage). Several speakers presented their ideas about the Convention, obstacles and challenges to implement it; among them there were the Councilor for Culture of the Lisbon municipality, the President of the Coalition and the President of the National Centre for Culture, one of the “fathers” of the Faro Convention of the Council of Europe, important instrument closely related to the 2005 UNESCO Convention.

Another example was the Conference “The place of Culture: models and challenges for the 21st century” (15.04.2015 – www.olugardacultura.pt) and the Colloquium “Culture and Development” (16.04). Both initiatives were aimed at promoting discussion with different partners (specially civil society) concerning the main challenges for Culture and culture development in the 21st century. The 2005 Convention was one of the pillars of the debate, that brought to Lisbon Enrique Barón Crespo (ex-president of the European Parliament), Tomás Sedlácek (economist) Jonathan Taplin (Director of the Annenberg Innovation Lab), Daniel Innerarity (University of Basque Country), Christian Felber (economist) and Homi K. Bhabha (Harvard University). This 2 days conference was followed, the day after, by a set of conferences discussing sectorial cultural policies, with the objective of deepening priority themes in the various domains of public cultural policies and the presence of culture in Portuguese society development. After these discussions an interesting initiative took place: “Open Doors Journey” (18-22 April). The objective was to encourage public and private institutions to open their facilities.

Comment?:

Cultural Strategy, Planning and Assessment Bureau, with the collaboration of the National institute for Statistics, have developed an information system to collect data and statistics from the cultural sector.

A Sattellite Account for Culture was also created, allowing the gathering of data related to different cultural sectors and the creation of statistic information accurate and reliable in the cultural sector that had never existed.

These information and initiatives have been shared in different occasions, namely in websites (www.gepac.go.pt, www.ine.pt). Meetings were held to better promote the information exchange: the launch of the Satellite Account and mainly a Workshop in the National Theatre D. Maria II “Knowledge for Growth: understanding and measuring culture’s impacts” (30.01.14 - http://www.gepac.gov.pt/cultura-2020/knowledge-for-growth-understanding-and-measuring-cultures-impacts.aspx). This international event had the presence of representatives from countries where Satellite Accounts for Culture have also been developed and a fruitful exchange of experiences, ideas and best practices was engaged.

During 2013-2014 the government decided to undertake the Culture 2020 set of studies, research on the presence of culture as a factor of cohesion, identity and development of the Portuguese society. Nine studies were developed and the results were published and distributed (paper and Internet- http://www.gepac.gov.pt/cultura-2020.aspx). An important Colloquium for the information sharing was organized in April 2015, with the presence of the main researchers, Marco Mira d’Ercole (OECD), Michaela Saisana (European Commission), Pier Luigo Sacco (Economy of Culture Professor), Luca Bergamo (Culture-Action Europe), Valentina Montalto (KEA).

At a national level another important research was undertaken, concerning the UN Sustainable Development Goals, in order to achieve a state-of-the-art for the cultural sector. This information will enable the development of initiatives and programs for the achievement of the UNSDG in the cultural area.

Prévoir des lieux où les idées des sociétés civiles peuvent être entendues et débattues tout en élaborant des politiques culturelles:

Yes

Comment?:

Several spaces were provided to hear and discuss with civil society ideas concerning the development of cultural policies and the role of the 2005 Convention. Some of them were aforementioned: the Conference “The place of Culture: models and challenges for the 21st century”, the Colloquium “Culture and Development”, conferences to discuss sectorial cultural policies, the workshop “Knowledge for Growth: understanding and measuring culture’s impacts”, among others.

At a regional level, the Regional Directorates for Culture (North, Centre, Alentejo and Algarve) have also undertaken several measures and initiatives to promote discussions with civil society, mainly concerning local and regional policies.

Mettre en oeuvre les directives opérationnelles

Yes

Comment?:

Even if specific initiatives to implement Operational Guidelines were not taken, all events presented and explained in the previous questions contribute to that objective.

Autres

Yes

Comment?:

We can also refer existing measures to support different initiatives and actions promoted by civil society and to whom public financial support is essential.

The General Directorate for the Arts has different lines for the support of the Arts, the Institute for Cinema and Audiovisual also has different programs to support cinema and audiovisual sector (creation, production, distribution,…).

Important to refer also the financial support provided by the Fundo de Fomento Cultural, a cultural fund which objectives are: to provide financial support to activities of promotion and diffusion from different cultural areas; to finance actions for preservation and valorization of cultural goods; to finance congresses, conferences, meetings, missions and other cultural initiatives, as well as the participation in similar initiatives abroad; to finance national and international promotion of programs and cultural and artistic actions; to finance studies and research in the cultural area; to grant scholarships for cultural actions. Just as an example, in 2014 the FFC spent € 23.713.126,41.

La société civile contribue-t-elle à ce rapport ?

Yes

Société civile

La société civile a-t-elle pris des initiatives pour:

Promouvoir les objectifs et principes de la Convention au niveau local et international:

Yes

Comment?:

Coalitions for Cultural Diversity hold regular meetings in Brussels (twice a year) where the international cultural political agenda is discussed and resolutions taken.

The Portuguese Cultural Diversity Coalition was represented at the IFACCA 7th World Summit in Malta (2016) by Helena Vasques de Carvalho, who made a presentation about performing artists work conditions today, raising awareness to issues of artists’ labor markets near representatives of Governments and Arts Councils from all over the world.

Promouvoir la ratification de la Convention et sa mise en oeuvre par les gouvernements:

Yes

Comment?:

Locally the Portuguese Cultural Diversity Coalition works closely to creators and artists rights agencies (GDA and SPA), and also to artists´Unions (CENA), dealing with all artists issues and working on new proposals near the Government.

Faire entendre les préoccupations des citoyens, des associations et des entreprises aux autorités publiques, y compris celles de groupes vulnérables:

Yes

Comment?:

Coalitions assemble a great number of artists´professional organizations, thus representing thousands of artists. In Portugal every organization has its own agenda, but all get together on the Convention principles. Many encounters have been made with public authorities in order to ensure a positive development of the arts.

Contribuer à améliorer la transparence et la responsabilité en matière de gouvernance de la culture:

Yes

Comment?:

The portuguese cultural government has one of the most transparent funding processes in the arts. Naturally artists engage in this process knowing that results will be fair and even.

Surveiller la mise en oeuvre des politiques et des programmes dans le cadre des mesures destinées à protéger et à promouvoir la diversité des expressions culturelles:

Consolider les capacités dans des domaines associés à la mise en œuvre de la Convention et recueillir les données :

Yes

Comment?:

Data collection is a major concern of cultural public agencies and a new framework for data collection and treatment has been implemented by the Ministry of Culture.

Créer des partenariats innovants avec les secteurs public et privé et avec la société civile d’autres régions dans le monde:

Résultats et défis

Décrire les principaux résultats atteints dans la mise en œuvre de la Convention:

Probably one of the main achievements of the 2005 Convention was the awareness raising concerning the Convention itself. From an unknown and “one more” UNESCO Convention, it became an important tool for national policy development, national and international cooperation, to foster cultural and artistic areas, to stimulate the CCIs sector, to create a national and international framework where the Convention is central and indispensable reference.

In addition and as a consequence, progressive awareness of the importance of the diversity of cultural expressions and its role in different areas were achieved. How to protect and promote the diversity of cultural expressions in each country? What should be the role of public institutions and civil society? Nothing should be taken for granted; for all countries cultural diversity is essential to safeguard (even survival) of its history, culture, national identity and presence in the world.

Even if sometimes the relationship is difficult, cooperation between public and private institutions, dialogue with civil society has been deepened and improved and often is from that turbulent but well succeeded collaboration that important activities are born, measures are taken, programs are designed and realized.

All over the country Festivals, exhibitions and so many other cultural and artistic events emerge and take shape; discussions around copyright, intellectual property, taxes on cultural goods and services, artists mobility and double taxation, social inclusion, immigration, refugees, and so many other issues are carried out; implementation of the UN Sustainable Development Goals, cooperation development, are in every country’s agenda and Portugal is not as exception.

And the 2005 Convention is always present, it has a role to play in all these issues; it’s in the origin of the discussions but it may also be the solution for many of them. Like all other UNESCO Conventions it has now won its own place and for Partners it’s a fundamental instrument for the design and preparation of a better world.

Les défis rencontrés ou prévus pour mettre en œuvre la Convention:

Challenges are still immense! How to convince those, specially public and political authorities, that the 2005 Convention is an instrument that they must be aware of? How to clarify, to so many people, the distinction between this Convention and the Convention for the Safeguarding of the Intangible Cultural Heritage? How to explain that diversity of cultural expressions and intangible heritage is not the same thing? How to improve cooperation and close work with civil society? How to surpass suspicion that exists in both sides concerning work with each other?

The list of challenges, doubts and questions is a long one. And that’s why public authorities have an important and decisive role to play in order to find ways, paths that lead to better solutions and results. Work with civil society is crucial. But often both sides or one of them raises problems difficult to resolve. It’s not enough to say that one wants to collaborate, it must happen, it must be done. And this Report is a good example that words and “good” intentions were not enough.

Financing is clearly and unfortunately a major issue. Organizing conferences, promoting meetings, commissioning studies and research, editing reports or comprehensive studies cost money! And studies and research are needed since policies must be based in accurate data, reliable information. And where can money come from when the public debt is huge, financial cuts are enormous and most institutions barely have the resources to keep doors opened and pay the indispensable expenses?

But things are changing and the battles for culture, the cultural and creative industries, the arts, all these for such a long time considered “minor” sectors, is being gradually won. Because studies showed that culture is becoming an important part of GDP, that workers in the cultural sector represent a higher percentage than most people believed, that Culture and Arts (including CCIs) can play an important role in the economy, social and regional development! The challenge is to keep this tendency growing.

Les solutions identifiées ou envisagées pour relever ces défis:

Awareness raising, information sharing, ideas and best practices exchange! The solutions to overcome the above mentioned challenges (and others) may be of different kinds, but they must include an important space for awareness raising. The share and exchange of information, ideas and best practices must be sought, by public authorities and by civil society. Together they should be the task force to find the best ways to implement the 2005 Convention.

Financing will be crucial and efforts must be made to find new funding opportunities and to make available the necessary resources: sustainable partnerships between public and private entities, sponsorship from national and international companies, new business models, increasing role of municipalities that are becoming a key partner for cultural structures in the areas of creation, production and distribution. But financing also for CCIs, important basis for the diversity of cultural expressions, taking into consideration the process of internationalization of the Portuguese economy and making profit from the tourism (cultural synergies). Training / professionalization in target areas such as ICT, intellectual property rights, project management, audience development are important and it’s necessary to promote skills, develop talents and encourage synergies between the professional classes, boos contacts, co-working.

But even if important work must still be done at a national level, international cooperation cannot be forgotten and is fundamental, not only for the exchange of good practices, the knowledge of other’s experiences, the added value of projects and initiatives developed abroad, but also to help to promote the Convention in other countries, namely Portuguese speaking countries, that have not yet signed or ratified the Convention.

Les étapes prévues pour les quatre prochaines années:

As above stated, the program of the current government and the Major Planning Options are clearly the guidelines for the steps planned for the next 4 years. In that framework measures will be designed, programs elaborated, initiatives and activities undertaken, but the background is established, the main principles and guidelines are there and the need now is to implement them.

A new model for Portuguese cooperation has been defined, in line with the objectives of the international agenda for sustainable development policies, focused in areas where Portugal has a real added value to deliver and based in a national, European and international, public and private, co-financing.

Culture is an essential pillar for democracy, national identity, innovation and sustainable development. It is a constitutional right and the improvement of a democratic access to cultural creation and enjoyment is a key priority to the Portuguese government. Culture is also an essential factor of innovation, skills and competitiveness of the economy.

According to these principles, a transversal cultural policy is being promoted, aimed to identify, stimulate and articulate cultural elements in all areas, particularly education, training, employment, regional development, tourism and external trade. Priorities shall be to grant a transversal nature to cultural policy and develop network between central and local administration; educate for a more participated culture; preserve, value and promote tangible and intangible heritage; promote a higher economic valorization of the cultural and artistic activity and launch an investment program for the rehabilitation of historical heritage; value and dignify authors and artists and promote national creators in Portugal and abroad; assure media freedom, as well as freedom of expression and information. This way protection and promotion of the diversity of cultural expressions shall be in the agenda!

Nom du responsable chargé de signer le rapport

Titre:

Mme

Nom de famille:

Heitor

Prénom:

Fernanda

Position:

Director General

Organisation:

Cultural Strategy, Planning and Assessment Bureau

❭ POLITIQUES CULTURELLES ET MESURES

National Strategy for Education and Culture

a. 2 Contexte de la mesure:

POLITIQUES CULTURELLES ET MESURES

b. Objectifs clefs de la mesure:

It aims at getting a greater presence of artistic and cultural activities across all levels of study, from preschool education to the end of secondary school.

c. Quel(le) est:

c.1. le périmètre de la mesure:

National

c.2. la nature de la mesure:

institutional

c.3. La principale caractéristique de la mesure:

Reaffirm a broad concept of culture, understood as a social and human phenomenon, which englobes multiple dimensions: antropological, social, symbolic, aesthetic and economic.

Broaden communication and enable cultural interactions, creating envionments, devices and conditions for shared initiatives, through the use of technological means, namely electronic platforms.

Value the country cultural diversity, as a way of recognising the richness of cultural goods, encouraging its preservation and contemporary cultural creation.

Expand training programs for education and culture professionals in the areas of Artistic Education.

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

Directorate General for Education, Directorate General for Education Statistics

Cultural Strategy, Planing and Assessment Bureau, Directorate General for Cultural Heritage, Directorate General for the Arts, Portugueses Film Institute

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

Theres was no information available.

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Oui

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Non

❭ POLITIQUES CULTURELLES ET MESURES

DGARTES-Public support programmes to the arts

a. 2 Contexte de la mesure:

POLITIQUES CULTURELLES ET MESURES

b. Objectifs clefs de la mesure:

c. Quel(le) est:

c.1. le périmètre de la mesure:

National

International

c.2. la nature de la mesure:

legislative

financial

institutional

c.3. La principale caractéristique de la mesure:

Types and Categories of support:

Direct Support / Four year

Direct Support / Biennial

Direct Support / Annual

Direct Support / Specific

Indirect Support / Tripartite Agreements

Support to Internationalization

Support to Cultural associativism

Support to regional orchestras

Cultural Footprint - Arts and Education

www://dgartes.pt

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

Ensure public access to the various fields of artistic activity, contributing to the promotion of quality of life, citizenship and the qualification of the population;

Promote artistic research, experimentation, creation and innovation;

To consolidate professional and creative activities, activities and activities, valuing their mission;

To promote the qualification of Portuguese and foreign artists living in Portugal;

Stimulate the artistic residence of creative entities;

Encourage artistic network production;

To value the network of cinemas and other cultural equipment, supporting regular quality programming, which includes an educational dimension;

Promote the production of publications and other materials for the dissemination or dissemination of the arts, in digital, online or printed form;

Articulate the arts with other sectoral areas.

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

Directorate General for the Arts

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

No information available for the period.

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Oui

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Oui

i.1 À quel niveau l’évaluation a-t-elle été conduite?:

National

i.2 Quelles ont été les principales conclusions?:

No information available about evaluation.

i.3 Quels ont été les indicateurs utilisés pour déterminer son impact ?:

No information available.

❭ POLITIQUES CULTURELLES ET MESURES

National Film Plan

a. 2 Contexte de la mesure:

POLITIQUES CULTURELLES ET MESURES

b. Objectifs clefs de la mesure:

c. Quel(le) est:

c.1. le périmètre de la mesure:

National

c.2. la nature de la mesure:

institutional

c.3. La principale caractéristique de la mesure:

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

Promote and raise awereness among students to cinematographic works, and provide them with knowledge about this art.

At the end of the school year 2015-2016, more than 20.000 students from schools from all over the country participated and got substancial benefit from the National Film Plan.

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

Institute for Cinema and Audiovisual

Portugueses Cinematheque

Directorate General for Education

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

No information available.

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Oui

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Non

❭ POLITIQUES CULTURELLES ET MESURES

ADDICT / Creative Industries Agency Portugal

a. 2 Contexte de la mesure:

POLITIQUES CULTURELLES ET MESURES

b. Objectifs clefs de la mesure:

ADDICT’s aims and objectives include to:

• Nurture a positive environment for the development of CCIs;

• Thrive through the promotion of capacity building and internationalization of its stakeholders;

• Promote systemization of the sector;

• Advocate appropriate public policies to help the sector;

• Help with finding available funding;

• Create a platform for networking and knowledge promotion.

http://addict.pt

c. Quel(le) est:

c.1. le périmètre de la mesure:

National

c.2. la nature de la mesure:

institutional

c.3. La principale caractéristique de la mesure:

ADDICT was founded by 10 institutions with the aim to:

• Promote the CCI sector and the region;

• Help revitalize the industrial sector in the region;

• Create a connection between universities, the industry and young entrepreneurs.

ADDICT work includes:

• Co-operation with other partners on developing various initiatives targeting the sector’s professionals and organizations and also policy decision makers and institutions.

Providing support for its members to identify the appropriate partners and funding sources. To facilitate this, ADDICT organizes various events, such as Club ADDICT sessions or the European Creative Hubs Forum120, to address main interests and concerns of its members and to provide opportunities for new contacts and networks.

• Organization of mentoring and accelerating programs for start-ups.

• Facilitation of contacts with investors and so-called business angels.

At European level, the Agency is actively cooperating with various partners and participates in a number of European projects.

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

Supply of competitive and qualified young human resources in the technological, cultural and creative sectors;

• Network of relevant infrastructures allowing sector professionals to learn, research, present, develop and experiment with new ideas and to interact with each other;

• Further deepen cultural contacts and links with other parts of the world using the Portuguese language as a door to other markets.

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

ADDICT-Creative Industries Agency Portugal

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

About € 100,000 per year (spent on day-to-day operations) + funds received for various projects.

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Oui

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Oui

i.1 À quel niveau l’évaluation a-t-elle été conduite?:

National

i.2 Quelles ont été les principales conclusions?:

Motivation and knowledge of the CCIs sector of ADDICT employees. ADDICT is the only entity in Portugal that represents the CCI sector and thanks to its knowledge of the sector and its participants it has a role of mediator and facilitator.

Some of the barriers that the agency and the sector face include:

• Lack of a nationwide political vision for the further development of the CCI sector and, as a consequence, lack of specific programmes and support tools;

• Lack of backing from authorities;

• Lack of effective collaboration with institutions;

• Many ADDICT members (for example, universities) have their own CCI departments that do not collaborate with the association;

• Economic and political instability that prevents an implementation of a long-term investment strategy;

• Emerging sector that cannot afford to pay for advice;

• Insufficient international mobility and participation in networks.

i.3 Quels ont été les indicateurs utilisés pour déterminer son impact ?:

No information available.

❭ POLITIQUES CULTURELLES ET MESURES

Aesthetic and Artistic Education in Schools

a. 2 Contexte de la mesure:

POLITIQUES CULTURELLES ET MESURES

b. Objectifs clefs de la mesure:

The promotion of an action plan covering different art forms in the school context. The project aims to develop:

Skills

• Creation of creative spaces in schools and cultural institutions.

• Provision of training for teachers and other school staff in different artistic fields.

• Provision of training for cultural actors.

Knowledge

• Development of models and structures for conveying arts and culture in schools and cultural institutions.

• Development of a multifaceted and tailor-made range of offers for cultural education and artistic projects.

Attitudes

• Development of long-term cooperation projects with local cultural institutions/artists.

• Promotion of systematic class activities in arts education.

• Development of the ability to appreciate and appraise works in the visual arts, music, dance and drama.

www.dge.mec.pt

c. Quel(le) est:

c.1. le périmètre de la mesure:

National

c.2. la nature de la mesure:

institutional

c.3. La principale caractéristique de la mesure:

Aesthetic and Artistic Education in Schools is a national initiative to promote and stimulate:

An increase of the aesthetic dimension of education through the appropriation of the language of various art forms, using the specific contents of each one to gradually implement educational strategies which ensure curricula which integrate different modes of expression and foster cross-curricular knowledge;
Development of joint actions between educational and cultural institutions based on the idea of culture as a need and an asset in the educational process;
Awareness among teachers and families of the role of art in children’s education and its relationship with other areas of knowledge;
Knowledge of cultural and artistic heritage as a process of affirmation of citizenship and a means of developing cultural literacy.

training in various art forms: visual art, music, drama, theatre, movement, dance;
building up partnerships between schools, cultural institutions and artists;
advising schools on artistic and cultural projects;
moderating and mediating processes within and between the schools and cultural institutions;
engaging children, teachers and families in all kinds of arts (e.g. dance, music, theatre and visual arts);
development of awareness of art as a form of knowledge.

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

- Experimentation and progressive mastery of the specific knowledge of each art form;

- Contact with different cultural backgrounds (musical, choreographic, theatrical, fine arts, among others);

- Development of the child’s expressiveness;

- Improvement and expansion of the child’s aesthetic experience;

- Development of the child’s aesthetic sense and intentionality.

The project also contributes to develop:

Arts (e.g. visual arts, music, dance, literature, drama)
interdisciplinarity: contribution of arts and culture to other non-artistic or non-cultural topics (e.g. environment, social climate, social inclusion, health, active lifestyle, sports).

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

General Directorate of Education, Ministry of Education and Science of Portugal

Calouste Gulbenkian Foundation

Aga Khan Foundation

Organisation of Ibero-American States

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

No information available

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Oui

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Oui

i.1 À quel niveau l’évaluation a-t-elle été conduite?:

National

i.2 Quelles ont été les principales conclusions?:

Give schools and cultural institutions the necessary resources to offer active participation in art and culture to every pupil.

Make sure that teaching of art and culture in schools and cultural institutions remains relevant at all levels within the institutions.

Support structures and mediators (such as cultural actors) in developing artistic projects and long-lasting cooperation.

i.3 Quels ont été les indicateurs utilisés pour déterminer son impact ?:

No information available

❭ POLITIQUES CULTURELLES ET MESURES

Platform of Arts and Creativity in Guimarães

a. 2 Contexte de la mesure:

POLITIQUES CULTURELLES ET MESURES

b. Objectifs clefs de la mesure:

c. Quel(le) est:

c.1. le périmètre de la mesure:

Regional

c.2. la nature de la mesure:

institutional

c.3. La principale caractéristique de la mesure:

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

It provides the city with the effective acquisition of a singular and qualified public space, with dynamic and appealing activities and spaces of socialization and community life.

The whole structure, according to the program, would complement the existing equipment in the city, as well as those which were under development within the European Capital of Culture.

INTERNATIONAL CENTER OF ARTS JOSE GUIMARAES

13 Exhibition Halls

Conference Room - Capacity - Pax: 80 in audience

Possibilities of use: conferences, work meetings, training acyions, product launches, etc.

Cafeteria

Blak Box - Capacity-pax: 198

Possibilities of use: shows, conferences.

ATELIERS EMERGING

5 Workshops

LABS CREATIVE

12 Laboratories

OTHER SPACES

Restaurant, book store, parking

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

Municipality of Guimarães

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

No information available

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Oui

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Non

❭ POLITIQUES CULTURELLES ET MESURES

StartUP Portugal - Portuguese Strategy for Entrepreneurship

a. 2 Contexte de la mesure:

POLITIQUES CULTURELLES ET MESURES

b. Objectifs clefs de la mesure:

c. Quel(le) est:

c.1. le périmètre de la mesure:

Regional

National

c.2. la nature de la mesure:

financial

institutional

c.3. La principale caractéristique de la mesure:

Devised as a four-year plan, it is focused on three areas of operation: Ecosystem, Funding and Internationalization.

Ecosystem

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

Ministry of Economy

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Oui

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Non

❭ POLITIQUES CULTURELLES ET MESURES

National Reading Plan

a. 2 Contexte de la mesure:

POLITIQUES CULTURELLES ET MESURES

b. Objectifs clefs de la mesure:

The National Reading Plan is a Government initiative, of the responsibility of the Ministry of Education, jointly with the Ministry of Culture and Minister of Parliamentary Affairs.

This is a response to the concern on the literacy levels of the population in general, especially that of young people, which is significantly lower than the European average.

The main objective of the National Reading Plan is to raise the level of literacy of the Portuguese people and to place the country on a par with its European partners.

The National Reading Plan has the following objectives:

• Promote reading, considering it an essential element in individual development and national progress

• Create a social environment is favorable to reading

• Make an inventory and valorize educational practices and other activities stimulating pleasure in reading amongst children, young persons and adults

• Create instruments enabling the definition of increasingly more precise targets for the development of reading

• Enrich the skills of social players, developing both the formal and informal action of teachers and reading mediators

• Consolidate and increase the role of the Public Library Network and School Library Network in developing reading habits

• Gradually achieve better results in national and international studies evaluating literacy.

c. Quel(le) est:

c.1. le périmètre de la mesure:

National

c.2. la nature de la mesure:

legislative

institutional

c.3. La principale caractéristique de la mesure:

A Plan focusing on the development of reading as a political priority and a national goal should have various strategic lines:

Broaden and diversify actions promoting reading within school, family and other social contexts
Contribute to the creation of a social environment favorable to reading
Ensure training and support tools
Make an inventory, and optimize resources and skills
Create and maintain and information and evaluation system
Principles for the Promotion of Reading

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

If responsibility is taken on collectively, the country will be led to a higher level in a faster and better way.

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

Ministry of Education

Ministry of Culture

Municipalities

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

The Ministries jointly responsible for the Plan define the technical and financial resources for the execution of the respective programs.

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Non

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Oui

i.1 À quel niveau l’évaluation a-t-elle été conduite?:

National

i.2 Quelles ont été les principales conclusions?:

i.3 Quels ont été les indicateurs utilisés pour déterminer son impact ?:

It's has not been possible to access the information

❭ COOPÉRATION CULTURELLE INTERNATIONALE

Strategic Plan for Multilateral Cultural Cooperation in Portuguese Speaking Countries

a. 2 Contexte de la mesure:

COOPÉRATION CULTURELLE INTERNATIONALE

b. Objectifs clefs de la mesure:

Identify and promote joint actions that benefit the populations;

Establish and define the mechanisms of communication and transmission of information;

Provide culture professionals with tools that allow them to develop and safeguard their creations;

Stimulate the internationalization of CPLP (Community of Portuguese Speaking Countries) in the field of Culture;

Promote arts and cultural education activities aimed at different target audiences in the Community;

Structure and strengthen cooperation among the CPLP countries in the field of cultural heritage, with a view to preserving, enhancing and disseminating that heritage.

c. Quel(le) est:

c.1. le périmètre de la mesure:

International

c.2. la nature de la mesure:

institutional

c.3. La principale caractéristique de la mesure:

1st Axis - Cultural Industries and Creative Economy int the CPLP

2nd Axis - Diversity of Cultural Expressions in the CPLP

The Charter of the CPLP (1996) recognizes that the cultural diversity of the Member States is a common cultural heritage and is one of the pillars of the CPLP.

3rd Axis - CPLP Internationalization in the Field of Culture

4th Axis - Cultural Heritage and Historical Memory of the CPLP

5th Axis - Training of Human Resources

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

Community of Portuguese Speaking Countries - Executive Secretary

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

Financial contributions from all member states and state budgets of each country.

Member states will allocate a sum of money to the projects and activities they are interested in.

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Oui

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Non

❭ COOPÉRATION CULTURELLE INTERNATIONALE

Program CPLP Audiovisual

a. 2 Contexte de la mesure:

COOPÉRATION CULTURELLE INTERNATIONALE

b. Objectifs clefs de la mesure:

c. Quel(le) est:

c.1. le périmètre de la mesure:

International

c.2. la nature de la mesure:

financial

institutional

c.3. La principale caractéristique de la mesure:

•Development of a 52-minute fiction television project, for the other CPLP countries;
• Allocation of financial support in the amount of € 40,000.00 for selected projects by each country.

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

Portuguese Institute for Cinema and Audiovisual

Brazilian Secretary of State for Audiovisual- Ministry of Culture

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

DOCTV CPLP - Allocation of financial support in the amount of € 50,000 to the documentaries selected by each country

FICTV CPLP

Development of a 52-minute fiction television project, for the other CPLP countries;
• Allocation of financial support in the amount of € 40,000.00 for selected projects by each country.

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Oui

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Non

❭ COOPÉRATION CULTURELLE INTERNATIONALE

Cooperation with Macau in the area of Archives-International Memory of the World Register

a. 2 Contexte de la mesure:

COOPÉRATION CULTURELLE INTERNATIONALE

b. Objectifs clefs de la mesure:

c. Quel(le) est:

c.1. le périmètre de la mesure:

International

c.2. la nature de la mesure:

institutional

c.3. La principale caractéristique de la mesure:

Participation of archive professionals in conferences os scientific nature, seminars, meetings and workshops which subject is of common interest to both countries;

Collaboration in activities organized in the framework of regional or internacional organizations in the area of archives;

Mutual promotion of exhibitions about heritage, historical and cultural ties, existing in the archives of both countries, on a non-profit basis;

Exchange of information, studies and periodical publications concerning archives;

Exchange of fac-similes of documents guarded by both countries and related to the historical relationship developed between Portugal and the Special Administrative Region of Macau:

Mutual promotion of activities in the areas of archives conservation, restoration, digitazition and description;

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

- minimal intervention for conservation and restoration in 549 documents in chinese

- interventaion for preservation and restoration in about 500 documents in portuguese

- description, digitazation and final report of the work

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

Directorate-General for Books, Archives and Libraries-Portugal

Cultural Fund of the Government of the Special Administrative Region of Macao

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

The Cultural Fund of the Government of the Special Administrative Region of Macao will pay to Torre do Tombo the global ammount of 490.000 patacas (Macao's currency)

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Oui

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Non

❭ COOPÉRATION CULTURELLE INTERNATIONALE

Project NÓS - A Galician-Portuguese Project for Theatre

a. 2 Contexte de la mesure:

COOPÉRATION CULTURELLE INTERNATIONALE

b. Objectifs clefs de la mesure:

c. Quel(le) est:

c.1. le périmètre de la mesure:

International

c.2. la nature de la mesure:

institutional

c.3. La principale caractéristique de la mesure:

In the first edition (2015):

1st rehearsal month - April – Porto
2nd rehearsal month – May – Lisbon
Opening – June – National Theatre D. Maria II – Lisbon
Performances – Lisbon (June), Porto (June) and Santiago de Compostela (June)
Portuguese drama director and playwright.

In the second edition (2016):

1st rehearsal month - April – Porto
2nd rehearsal month – May – Santiago de Compostela
Opening – June – Santiago de Compostela
Performances – Santiago de Compostela (June), Porto (June) and Lisbon (June)

Galician drama director and playwright.

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

At the same time this project will enable the reinforcement of the cultural cooperation between Portugal and Galicia and a better knowledge of both peoples and culture.

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

Portuguese National Theatres - Teatro Nacional D. Maria II (Lisbon) and Teatro Nacional de S. João (Porto)

Galician Dramatic Center

Theatre / Drama Schools of Lisboa, Porto and Vigo

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

No information available.

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Non

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Non

❭ TRAITEMENT PRÉFÉRENTIEL

Cooperation Strategic Program Portugal - S. Tomé and Príncipe – a new generation of programs

a. 2 Contexte de la mesure:

TRAITEMENT PRÉFÉRENTIEL

b. Objectifs clefs de la mesure:

c. Quel(le) est:

c.1. le périmètre de la mesure:

International

c.2. la nature de la mesure:

financial

institutional

c.3. La principale caractéristique de la mesure:

The program includes the following priorities: Education, Training and Culture, Health and Social Affairs, Justice and Security, Energy and Environment and Finance.

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

Development cooperation policy:

Reinforce capacities of the countries and institutions in structuring areas for human development
Promotes good governance, democracy and the consolidation of rule of law
Stimulates local economies, promoting economic growth through the reinforcement of the national business sector and the attraction of direct foreign investment that contribute to its growing integration in the global space.

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

Camões Institute for Cooperation and Language-Ministry of Foreign Affairs

Government of S. Tomé and Príncipe

Portuguese sectorial Ministries

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

From this amount two thirds go to Education, Training and Culture, Health and social Affairs.

EUR 11,5 million will be allocated as loans/credit lines.

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Oui

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Non

❭ TRAITEMENT PRÉFÉRENTIEL

Support to Democratic Governance Process in East Timor: EU Media Program in East Timor

a. 2 Contexte de la mesure:

TRAITEMENT PRÉFÉRENTIEL

b. Objectifs clefs de la mesure:

The main objectives cover 5 different areas:

c. Quel(le) est:

c.1. le périmètre de la mesure:

International

c.2. la nature de la mesure:

legislative

regulatory

institutional

c.3. La principale caractéristique de la mesure:

d. Cible-t-elle spécifiquement des individus et/ou des groupes sociaux tels que définis par l’article 7 de la Convention ?:

Oui

e. Quels sont les résultats attendus de la mise en œuvre de la mesure? :

f.1 Nom de l’agence chargée de la mise en œuvre de la mesure:

IPAD (currently Camões- Instituto da Cooperação e da Língua, IP), by delegation of the European Commission.

f.2 Ressources financières allouées à la mise en œuvre de la mesure:

The program was funded by the 10th European Development Fund (EDF) under the Cotonou Partnership Agreement that allocated 1 million euros to implement the measures.

g. Nom des organisations non gouvernementales et/ou le secteur privé engagés dans la mise en œuvre de la mesure?:

Nom:

• CEFTEC (Center for Technical Communication Training): Dili’s training center and school for professionals of the media sector.

Type d’implication:

A protocol between CENJOR and CEFTEC was signed and CENJOR sent portuguese teachers and journalists to CEFTEC to teach several classes and training programs.
CENJOR (Centre of Professional Training for Journalists), a Portuguese Professional Training Center for Journalists and professionals of the media sector. A protocol between CENJOR and CEFTEC was signed and CENJOR sent portuguese teachers and journalists to CEFTEC to teach several classes and training programs.

Nom:

• Catholic University of Lisbon.

Type d’implication:

The Catholic University of Lisbon received several students from the National University of Timor Leste’s Journalism and Media Studies Course that came to Lisbon to study (student exchange program).

h. Cette mesure a-t-elle été introduite ou révisée pour::

h.1. Mettre en œuvre les dispositions de la Convention ?:

Non

h.2. Soutenir/nourrir le débat politique inspiré par la Convention ?:

Non

h.3. D’autres raisons non relatives à la Convention ?:

Oui

i. La mise en œuvre de la mesure a-t-elle fait l’objet d’une évaluation ?:

Oui

i.1 À quel niveau l’évaluation a-t-elle été conduite?:

International

i.2 Quelles ont été les principales conclusions?:

No data available

i.3 Quels ont été les indicateurs utilisés pour déterminer son impact ?:

Number of consultations made to Civil Society for the implementation of diverse legislation related to Social Communication;
% Of the population that perceives the media as reliable sources;
% Penetration of the Written Press;
% Penetration of the Public Radio and Television Station;
Number of specific training courses targeted at journalists;
Frequency rate of the courses and training;
Level of satisfaction of students and the expert / teacher / trainer;
Evaluation of lectured chairs;
Number of students / trainees completing the courses successfully;
Knowledge acquired by exchange students.
Number of Community Radios supported by specific legislation;
Number of meetings with local stakeholders carried out to define the legal framework of the Media;
Legal framework for the Media promulgated and being inforced;
Singing and approval of a self-regulation code;
Number of hours of scanned and properly archived records;
Number of employees qualified to scan contents correctly;
Number of files consulted.
Number of contents produced (leaflets, radio and television programs)
Level of knowledge of the population regarding the topics covered by the contents that were produced.

❭ TRAITEMENT PRÉFÉRENTIEL

Development of Mechanisms for Collective Management of copyright in Cape Verde

a. 2 Contexte de la mesure:

TRAITEMENT PRÉFÉRENTIEL

b. Objectifs clefs de la mesure:

The partnership established by the parties aims the following general objectives:

• Professionalization of the record publishing sector and valorization of artistic careers;

• Development and internationalization of the music industry on the extent of all their creative holders;

• Promote, with the competent international bodies, a Portuguese expression market of cultural goods;

• Promote the interaction between music and other economic sectors, in particular, creative industries, start-ups and tourism;

• To protect and disseminate both countries cultural and musical repertoire by promoting performances, artists and producers exchange.

c. Quel(le) est:

c.1. le périmètre de la mesure:

International

c.2. la nature de la mesure:

institutional

c.3. La principale caractéristique de la mesure:

In compliance with the protocol, the Portuguese collective management entities (EGC-P) have the conditions to ensure:

Advice and technical support in the preparation of the activities plan and budget for copyright and royalties collecting in Cape Verde and in the preparation of regulations and internal rules for the collecting, distribution and rights management activities, as well for the procedures and organization of the management entity (ies) and respective forms;

• Local monitoring of collective management implementation of several activities;

• Support for the international recognition of the entity (ies) within the producers and artists management societies community;

High-level technical assistance to support MCIC or whoever they understand to delegate within the framework of preparation and drafting of regulatory and legislative instruments;
The claim of international repertoire of Cape Verde origin, off Cape Verde, its identification, complaint, collection and delivery to the holders representatives.