Nikoloz Nadirashvili
![](https://webarchive.unesco.org/web/20210618203626im_/https://en.unesco.org/creativity/sites/creativity/files/styles/large/public/user_images/thumbnail_16463334_1030385593733741_5171067153716949567_o.jpg?itok=jt6W1LDl)
Nationality: Georgia
UN Working Languages:
English
Nikoloz Nadirashvili is a researcher, research projects manager and arts policy consultant with a background to work for public and private entities and NGOs. From 2015 to 2017 he was committed to the development of the national policy papers: Culture Strategy 2025 and the Roadmap for Developing Cultural and Creative Industries in Georgia.
From 2017 he switched to the NGO sector. While working as a Research Projects Manager at Propaganda.network he co-developed medium- and large-scale research projects, such as Contemporary Art Archive of Georgia.
From 2015 onwards, he gives lectures at Shota Rustaveli Theatre and Film State University and at the Tbilisi State Nikoloz Nadirashvili is a researcher, research projects manager and arts policy consultant with a background to work for public and private entities and NGOs. From 2015 to 2017 he was committed to the development of the national policy papers: Culture Strategy 2025 and the Roadmap for Developing Cultural and Creative Industries in Georgia.
From 2017 he switched to the NGO sector. While working as a Research Projects Manager at Propaganda.network he co-developed medium- and large-scale research projects, such as Contemporary Art Archive of Georgia.
From 2015 onwards, he gives lectures at Shota Rustaveli Theatre and Film State University and at the Tbilisi State Academy of Arts in arts management from arts sociological perspective for MA and BA students.
His articles are regularly published on At.ge and stories.propaganda.network
Nikoloz earned a BBA from the Georgian-American University (GAU) in 2013, a MA in Cotemporary Visual Arts Theory from the Tbilisi State Acadmey of Arts in 2014 and another MA in Arts Policy and Marketing from the University of Groningen in 2015.
He is a member of the Central Eurasian Studies Society and the International Association of Art Critics (AICA) since 2016.