Provide an overall assessment of the effectiveness of the activities undertaken to achieve the expected results and of the efficiency of the use of funds for implementing the activities. Please indicate how the activities contributed to achieving the results and whether other activities could have contributed better to achieving the same results. Also indicate whether the same results could have been achieved with less funding, whether the human resources available were appropriate and whether communities, groups and individuals could have been better involved.
The initiatives implemented and the financial resources invested in promoting the element economically and as intangible cultural heritage, in its transmission and in the seeking of sustainability have had generally positive outcomes.
It should be noted that the application for UNESCO inscription was made when the element was already on the verge of extinction. Its few practitioners, due to their advanced age, are interested in transmitting their skills and knowledge. Although their health and age do not allow them to do so directly, they are more than willing to share all and any information that is requested.
We should also take into account the fact that, in the last 20 years, cowbell making has suffered a lot as a commercial activity, due to the industrial production of meat, demographic decline and a reduction in pastoral activity. Nevertheless, it can still be a profitable business. We also need to bear in mind that the number of shepherds and indigenous breeds is also decreasing.
No less important is the scant valorisation of the element by society in general and, even, by the scientific community that works with the defence and valorisation of cultural heritage.
There can be no doubt that UNESCO inscription has raised the element’s profile. Running parallel to the investment, the PAGUS project has done all it can to promote the dissemination and the objectives of the application for inscription. This traditional artisanal activity is often given airtime on both public and private Portuguese TV channels and radio stations. One public TV channel is actually broadcasting images of cowbell makers for its inter-programme graphics. This communication strategy has helped boost public understanding of this craft.
The permanent exhibition on cowbell making at Paço dos Henriques has had 8,114 visitors so far. After visiting the exhibition, many visitors seek out the two commercial spaces in Alcáçovas linked to cowbell making, in order to see the process in action.
The digital platform, which is in continuous development, has also helped disseminate the element and served to receive any incoming information on the same.
Thanks to this inscription and the interest shown by the media, the Pardalinho factory has followed a strategy of economic promotion that has allowed it to expand (up to 2019, since when it is has experienced difficulties as the pandemic restricts access to fairs and markets). This has led to the hiring of more workers and, thus, the transmission of skills and knowledge.
In terms of tourism, the inscription has helped boost the value of the area, by associating this element with others that are already inscribed. The regional tourism entity has, for this reason, set up a specific programme for intangible cultural heritage that involves the owners of the same.
Both Alcáçovas and its people have experienced a significant rise in self-esteem. From an economic point of view, the thousands of visitors have helped to sustain a fragile economy, particularly in terms of restaurants, accommodation and small local businesses.
One of the most important aspects of the inscription and of the initiatives developed for the making of cowbells was that it created visibility for a heritage seen as a minor feature. Along with this increased visibility, it has influenced other parts of the country to pay more attention to the threat of extinction facing Portugal’s genetic heritage. The initiatives implemented and the financial resources invested in promoting the element economically and as intangible cultural heritage, in its transmission and in the seeking of sustainability have had generally positive outcomes.
It should be noted that the application for UNESCO inscription was made when the element was already on the verge of extinction. Its few practitioners, due to their advanced age, are interested in transmitting their skills and knowledge. Although their health and age do not allow them to do so directly, they are more than willing to share all and any information that is requested.
We should also take into account the fact that, in the last 20 years, cowbell making has suffered a lot as a commercial activity, due to the industrial production of meat, demographic decline and a reduction in pastoral activity. Nevertheless, it can still be a profitable business. We also need to bear in mind that the number of shepherds and indigenous breeds is also decreasing.
No less important is the scant valorisation of the element by society in general and, even, by the scientific community that works with the defence and valorisation of cultural heritage.
There can be no doubt that UNESCO inscription has raised the element’s profile. Running parallel to the investment, the PAGUS project has done all it can to promote the dissemination and the objectives of the application for inscription. This traditional artisanal activity is often given airtime on both public and private Portuguese TV channels and radio stations. One public TV channel is actually broadcasting images of cowbell makers for its inter-programme graphics. This communication strategy has helped boost public understanding of this craft.
The permanent exhibition on cowbell making at Paço dos Henriques has had 8,114 visitors so far. After visiting the exhibition, many visitors seek out the two commercial spaces in Alcáçovas linked to cowbell making, in order to see the process in action.
The digital platform, which is in continuous development, has also helped disseminate the element and served to receive any incoming information on the same.
Thanks to this inscription and the interest shown by the media, the Pardalinho factory has followed a strategy of economic promotion that has allowed it to expand (up to 2019, since when it is has experienced difficulties as the pandemic restricts access to fairs and markets). This has led to the hiring of more workers and, thus, the transmission of skills and knowledge.
In terms of tourism, the inscription has helped boost the value of the area, by associating this element with others that are already inscribed. The regional tourism entity has, for this reason, set up a specific programme for intangible cultural heritage that involves the owners of the same.
Both Alcáçovas and its people have experienced a significant rise in self-esteem. From an economic point of view, the thousands of visitors have helped to sustain a fragile economy, particularly in terms of restaurants, accommodation and small local businesses.
One of the most important aspects of the inscription and of the initiatives developed for the making of cowbells was that it created visibility for a heritage seen as a minor feature. Along with this increased visibility, it has influenced other parts of the country to pay more attention to the threat of extinction facing Portugal’s genetic heritage.
Finally, the inscription and the contacts that the PAGUS project has forged with entities in Spain, France and Italy have led to a greater interest in this element.
The investment was relevant and the results can be described as positive.
All the various initiatives have made provision for the involvement of communities, groups and individuals, whether owners or not.
Involvement in many of the initiatives was not greater for three reasons: i. the weak valorisation of the element as a heritage element; ii. the distancing of communities from the rural world; iii. a failure to relate this idiophone to the landscape and a lack of knowledge of the threat of extinction faced by many native races and the associated milieu.
In considering the information and facts expounded here, we may conclude that both the UNESCO inscription and the results obtained are positive, despite all the difficulties encountered.