Publications
PERSPECTIVES for the diversity of cultural expressions is a series of policy briefs designed to inform and inspire discussions among Parties of the 2005 Convention on the Protection and Promotion of the Diversity of Cultural Expressions. Its objective is to identify and analyse emerging trends in the creative sectors.
The production and distribution of film and audiovisual works is one of the most dynamic growth sectors in the world. Thanks to digital technologies, production has been growing rapidly in Africa in recent years. The case of "Nollywood", with about 2,500 films made each year, is emblematic in this respect. It has enabled the emergence of a local industry of production and distribution with its own economic model.
Since 2008, the Republic of Korea has been strengthening cultural and creative sectors as engines for sustainable development in developing countries. The Korea Funds-in-Trust (KFIT) for the Development of Creative Industries supports the emergence of dynamic cultural and creative sectors by fostering an enabling environment for cultural entrepreneurship, creating networks and supporting policy design. Through its continued support, UNESCO and KFIT are shaping our common creative futures.
In anticipation of the third edition of Re|Shaping Cultural Policies, this special edition of the Global Report series that monitors the implementation of the 2005 Convention on the Protection and Promotion of the Diversity of Cultural Expressions, focuses on one of the Convention’s overarching goals: the promotion of human rights and fundamental freedoms and, in particular, artistic freedom.
Let's celebrate the IFCD!2020 marks the 10th anniversary of the International Fund for Cultural Diversity (IFCD).The IFCD is the Fund established by the Convention on the Protection and Promotion of the Diversity of Cultural Expressions and its goal is to invest in projects that lead to structural changes, demonstrating the value and opportunities that culture brings to sustainable development processes, in particular to economic growth and the promotion of a decent quality of life.
The Global Report series monitors the implementation of the 2005 Convention and provides new and valuable evidence to inform cultural policy making and advance creativity for development. The 2018 edition examines how the 2005 Convention has inspired policy change at the global and country level and puts forward a set of policy recommendations for the future, addressing the adaptation of cultural policies to rapid change in the digital environment, based on human rights and fundamental freedoms of expression.
The 1980 Recommendation concerning the Status of the Artist was adopted by the UNESCO General Conference at its twenty-first session in 1980. Decades later, the Recommendation remains as relevant today as in 1980 considering the remaining challenges worldwide in the area of social and economic rights, decent working conditions, training opportunities and the impact of digital technology on the work of artists and cultural professionals. This brochure provides a brief overview of the main topics covered by the 1980 Recommendation.
This brief highlights the impact of COVID-19 on the media and culture sector, hit hard by unemployment and closed productions. It analyses how the sector’s diversity in terms of contract types and occupations creates challenges in accessing social protection, safety and health, and economic relief programmes. The brief also offers policy options, drawing from countries’ examples and initiatives from workers’ and employers’ organizations, to mitigate the economic impact of the pandemic on the sector.
The UNESCO study Culture & Working Conditions for Artists uncovers persisting and emerging challenges artists and cultural professionals face and examines how countries around the world are addressing these issues through policymaking.
This publication provides the basic texts of the 2005 Convention, including the Operational Guidelines, the Rules of Procedure of the Conference of Parties, the Rules of Procedure of the Intergovernmental Committee and the Financial Regulations of the Special Account for the International Fund for Cultural Diversity.